The Last Drive In Movies/Episodes Ranked

Joe Bob Briggs continues to be the world’s greatest Drive-In critic on “The Last Drive In.”

Since 2018, “The Last Drive In” has become the staple show on the horror streaming service Shudder. For those who grew up watching Joe Bob Briggs host his own shown on The Movie Channel or those like myself who stayed up late watching him on TNT’s “Monstervision,” it was exciting to see the world’s greatest expert of B-Movies and Drive-In culture return in perfect form. “The Last Drive In” has had two seasons and numerous specials filled with blood, breasts and beasts along with Joe Bob’s informative tidbits of the movie that is being played. He is also joined by Darcy The Mail Girl who adds to the show with her creative cosplay outfits, her sometimes dissatisfaction with Joe Bob’s views and communicating with fans via Twitter. On Friday, April 16th, the gang returns to the trailer for a third season of a hootin’ good time.

Lately on the various social media platforms I’ve been seeing lists fans have created of their rankings of the best “Last Drive In” movies and episodes. The lists have been fun to read and provide plenty of back and forth debate between the Drive In Mutants (as the fans of the show are called). It got me thinking to make my own list. My list is ranked based on the movie, the presentation, enjoyment and replay value. A lot of these movies are no longer available to stream on Shudder so I don’t take that into consideration. I will continue to build on this list all throughout Season 3 and any future specials. Without further-ado let’s get the list going:

91. Things

You know a movie is bad when there’s not even a decent still photo on the internet. This got a rare one star from Joe Bob.

90. Sledgehammer

The first film shown on “VHS Night” on Season 3, Sledgehammer is a movie that you would find playing on your local public access station or Tubi. Best thing about this movie is the end credits with the fake names such as I.C. Knun as Choreography director, I.P. Phreilee as the sound designer and Mike Hunt as the locations scout (the majority of this film was shot in writer/director David A. Prior’s apartment).

89. Dead Heat

Joe Piscopo, ‘nuff Said.

88. Cannibal Holocaust

While I respect the movie for its premise, realism and shock factor, Cannibal Holocaust was a film that I could not stomach all the way through. This and Bloodsucking Freaks were revelations that I’m not big on scenes to shock me, rather I’m grossed out by them. I do give the Shudder team credit for making a separate entry for people to watch the Joe Bob segments without having to go through watching the movie.

87. Hack-O Lantern

Only thing I was hacking up was a lung from all the laughter. I was waiting for Tom Servo and Crow to appear to start riffing this film.

86. Phantasm: Ravager

The long awaited finale in Don Coscarelli’s Phanstasm series, Ravager was a big disappointment. While it was great to see Reggie Bannister, Michael Baldwin and Angus Scrimm in his final appearance as the Tall Man, I did not like the glossy digital imagery, its confusing plot and overwhelming ending. The movie ended up asking more questions than answering them.

85. Dead or Alive

With the exception of the scene of the guy snorting the 30 foot line of cocaine, this was a film I couldn’t get into. Too much fecal material.

84. Daughters of Darkness

While the film does have a seductive and sexual atmosphere, Daughters of Darkness doesn’t have much else going. It’s a movie that will put you to sleep instead of keeping you awake.

83. The Prowler

Part of the original summer marathon in 2018, The Prowler was my first viewing of the film where my memory of the viewing quickly faded like Shudder’s rights to the film.

82. Bloodsucking Freaks

One of the most controversial films ever made, Bloodsucking Freaks was another first time view for me. I enjoyed the trivia Joe Bob provided. As for the rest of the movie, this was another case where I respect and appreciate the risqué film, this was another one that was too much for me to handle.

81. Deep Red

One of the best films from Dario Argento’s filmography, Deep Red is a good film, but I felt the pacing was too slow. Add in the trivia segments and you have a viewing where you need to prepare yourself with tons of coffee, soda, spicy foods or anything else to keep you awake.

80. Demon Wind

A movie with too many characters, bad acting and a very shoddy plot. If this were a movie about a killer fart, it would’ve charted higher on this list.

79. Slumber Party Massacre II

The first film shown in the Summer Sleepover special, Slumber Party Massacre II looks like a Beverly Hills 90210 episode with Nightmare on Elm Street knockoff dreams. It’s pretty much a bore-fest until the last act of the film when the Driller Killer appears in the flesh equipped with his jagged looking guitar with a drill on the neck and begins to mow down the rock and roll band babes and their obnoxious boyfriends.

78. Hello Mary Lou: Prom Night II

Hello Mary Lou has some good effects and some decent performances. However, it doesn’t hold up to the original movie. Of course the best part of this viewing was Darcy getting dressed up as Mary Lou and enjoying a slow dance with Joe Bob.

77. Wolf Guy

Interesting concept starring the great Sonny Chiba. Starts out with some great flourishes of violence and gore, but the story starts to get silly near the second half of the movie.

76. The Legend of Boggy Creek

I’m not a big fan of fictional films that are made in a documentary style. There are some good moments in this film and I liked its gritty and grainy look. However, I felt the music to be overpowering and inappropriate at times. Of course I only viewed this film once which was during the original summer marathon. May give it another chance before criticizing it even further.

75. Blood Feast

One of the first “gore” films made by the great Hershel Gordon Lewis, Blood Feast is known for just that. There is an insane amount of blood and gore in this movie. This movie would become the blueprint for horror movies in the future. Great trivia from Joe Bob as well. What keeps this film from being ranked higher is the plot and acting.

74. Halloween 5

My least favorite Halloween movie of the “Halloween Hootenany” special. There wasn’t much I enjoyed about Halloween 5 including the cheap Michael Myers unmasking. What I did enjoy about this particular episode is Joe Bob’s unexpected destruction of the festive props that surrounded the set.

73. Blood Harvest

Obviously the selling point of Blood Harvest is that it stars Tiny Tim as the oddball character Mervo. There were two special guests that Joe Bob interviewed who knew Tiny Tim well. Justin A. Martell surprised Joe Bob by showing some rare footage of Tiny Tim watching Joe Bob during his tenure on The Movie Channel and praising him for his knowledgeable insights. It was the highlight of this episode.

72. The Love Witch

Written, directed, composed and edited by Anna Biller The Love Witch shows romance through the spectrum of a woman. We follow along the journey of the protagonist on her quest for love. She creates potions to lure potential male partners into falling in love with her only for them to end up getting killed. The Love Witch is a unique take on romantic horror featuring a great art direction with a mix of giallo and seventies with bright cinematography. I love the blend of colors that were used to give an emotional vibe. What keeps this movie from charting higher is the dull acting and a running time that is way too long for this type of concept. Perhaps Biller could’ve used that time to flesh out more of the story as it left questions that didn’t have answers.

71. Demons

Demons is considered a punk horror film. It has no plot, no character development. It’s full of blood, gore and special effects. It’s one big roller coaster from beginning to end.

70. Dial Code Santa Claus

The 1989 French flick known as 3615 Code Pere Noel, Deadly Games, Game Over and Hide and Freak, among its numerous titles is a movie concept that is all too familiar with American audiences. The second half of the movie is a cat and mouse game between a boy who loves to dress as Rambo and sets traps for a mall Santa who is looking to get vengeance after the boy’s mother gets him fired from his Santa gig. I enjoyed the cinematography and the setting of the giant mansion where someone could get easily lost in. There’s a few dead bodies in this one along with painful setups that the antagonist walks right into. Around the same time the following year, another Christmas movie about a boy who is home alone while his family is on vacation in Paris takes on two burglars by setting up traps inside his very own home. Coincide? I think not.

69. Spookies

A film that became a victim of financier influence, Spookies is essentially two movies in one. It doesn’t make a lick of sense, but I enjoyed it for its hammy acting and impressive physical effects. Don’t bother trying to work your brain into overtime as to figure out what is going on in terms of the story. As Joe Bob said during the screening of this film, “You need to retire your brain.”

68. Blood Rage

“That’s not cranberry sauce!” This was the infamous line of Blood Rage, the 1987 underground slasher. It has a clever story where the body count stacks up. Great use of effects and has many gory parts with chopped off limbs and ripped up stomachs. The ending would’ve been perfect if it weren’t for one thing…I’m not going to spoil for those who haven’t seen it yet.

67. Haunt

Haunt is nothing new nor original, but it’s entertaining enough to keep your attention. There are some grizzly death scenes and unexpected turns near the end of the film. One of the better films to come out within the last year.

66. The House By The Cemetery

I like The House By The Cemetery for its creepy, gory and unsettling atmosphere and scenery, but the plot is muddled and unconvincing. The scenes with the babysitter make you want to throw your hands up in the air when the mother asks what she’s doing which is obviously cleaning up blood on the floor only for the babysitter to answer with, “I’ll make some coffee.”On top of that, this film is notable for having the most annoying dub of child acting along with excruciatingly bad sobbing which is supposed to be the haunted house making that noise that make you want to plug in your ears and go, “La la la!” Thank goodness this is an improved viewing thanks to Eli Roth’s historical insights on this considering the movie takes place near his hometown, although shot in Rome because it’s an Italian movie done by the horror great Luico Fulci. The House By The Cemetery feels like it should be in the middle of the rankings until I realized there were better movies than this.

65. Contamination

Italian rip off horror films don’t get any better than Contamination. I liked the cheesy effects and the bad dubbing. Not to mention the weird spacey soundtrack from Goblin. The episode was made funnier with Joe Bob’s tidbits about the movie and how he seemed to get a kick at Italian’s literally stealing from American movies and passing them off as their own original work of art.

64. Maniac

William Lustig’s gritty grind-house classic Maniac is a perfect movie for “The Last Drive In.” Filled with claustrophobic atmosphere, gritty cinematography and excellent effects work from the great Tom Savini who was also the special guest during the broadcasting of this episode. While I personally enjoyed the remake better (gasps), Maniac is a great example that you can make a scary and stylish horror flick for an very low budget.

63. Heathers

Heathers raised a lot of eyebrows when it was revealed as the second feature in the second episode of Season 2. The debate still rages on as to whether or not to classify this as a Drive-In film. This film is a reminder that Drive-In movies are not just horror movies with blood, breasts and beasts, but films that are designed to give you an enjoyable experience.

62. Tourist Trap

The inaugural film in “The Last Drive In” summer marathon Tourist Trap is a movie filled with strange atmosphere, quirky characters and a bizarre subplot. There are some moments in the movie that do make your skin crawl. This was an early horror flick to experiment with different things seeing what will stick. It may not hold up to the younger audience, but those who’ve seen this film before will still have fond memories of it.

61. Bride of Re-Animator

Brian Yuzna who produced the iconic 1985 H.P. Lovecraft film takes over director duties in this sequel that is lifted from Bride of Frankenstein. The chemistry between Herbert West and Daniel Cain, now Medical Doctors is a love/hate relationship, but realize they both need each other in order to accomplish what they set out to do. While the performances are great and Yuzna ratchets up the blood, gore and the silly creations that Herbert gives life to in order to prove his theory on rejuvenating life through different anatomical parts of the body, the film suffers from its slow pacing and it’s lack of originality which keeps it from charting higher on this list.

60. Mother’s Day

Kicking off Season 3 of The Last Drive In is Mother’s Day and I don’t mean the 2016 movie starring Jennifer Aniston. I’m talking about the 1980 exploitation horror flick released by none other than Troma Entertainment. Written and directed by Charles Kaufman, brother of Troma founder Lloyd Kaufman, Mother’s Day combines elements of Deliverance, Texas Chainsaw Massacre and Friday the 13th (the later being shot across the lake from this film) into a grizzly offbeat viewing that has the style and crude humor you would find in a Troma movie. I was thoroughly amazed that this is the all time favorite movie of the Season 3 Premiere guest, Eli Roth who shared with the Drive-In Mutants that he showed this movie during his Bar Mitzvah. His knowledge and insight of the movie was fascinating that even Joe Bob’s bolo started spinning. Roth talks about the influence this movie has had on him since becoming a filmmaker. That’s the power of the drive in movie.

59. One Cut of the Dead

One Cut of the Dead is one of those film within a film concepts. You think you’re watching a zombie movie that is all done in one continuous shot, but then throws a wrench at the second half when it is revealed that it is part of a reality television series. One of the more clever films to be shown on “The Last Drive In.”

58. Society

Another first time watch when it was aired, Society was indeed a strange tale about elitism. To say that Screaming Mad George’s special effects were hardcore would be an understatement. Of course the shunting party is a vision that you’ll never be able to shake from your mind. Oh and I loved how Joe Bob asked Darcy numerous questions regarding shunting based on her past experiences, if you know what I mean…..and I think you do.

57. Mandy

I’ve been meaning to watch Mandy for the longest time as I was curious to see what all the hype was about. My first viewing of the movie was on “The Last Drive In.” It’s a film that won’t appeal to the entire mutant mass. It’s a psychedelic grind-house trip featuring Nicolas Cage doing what Nicolas Cage does. While I appreciate it for its visual style, I found myself losing interest with all the needlessly long scenes and things I felt should’ve been cut out. Sorry fans of this film, I just have a different view on this.

56. The Little Shop of Horrors

The final double feature of Season 3 featuring two Roger Corman films, one he directed and one he produced. The first feature was Corman’s adaptation of Little Shop of Horrors. Released in 1960, this cult classic has become a classic in itself and I prefer this version over the 1986 musical remake. It has a great blend of wit and wacky. It’s indeed a charming B movie which was ignored during its initial release. The film is notable for featuring a then unknown Jack Nicholson in a small role as a dentist patient and you could see by his performance that he would become the legendary actor he is today. I loved Corman’s background on this movie and was surprised it was shot in two days. Of course, that is expected from Roger Corman. Once the light turns green, he’s off to the races.

55. Sorority Babes In The Slimeball Bowl-O Rama

I’ve never heard of Sorority Babes At The Slimeball Bowl-O-Rama until it was shown during the original marathon. This quirky film features numerous scream queens including Linnea Quigley, Brinke Stevens and Michelle Bauer. There was so much about this film I enjoyed from the jive talking imp that passed wishes out like candy, a sorority pledge initiation involving smacking booties with large paddles and Linnea Quigley’s all killer no filler performance as Spider. The scene with Spider and Calvin in the bathroom and Calvin talks about how stupid his pick up line was to Spider is featured in the Static-X song “I’m With Stupid.”

54. The Stuff

I’m a huge Larry Cohen fan and I was excited that they showed not one, but two of his movies during Season 1. The Stuff is a quintessential 80s film with great music, special effects and offbeat characters. It was made during a period of heavy product advertisement, additives in food and big corporations profiting from the product. Features the great tagline of “Are you eating it or is it eating you?” Loved Darcy’s cosplay as one of the models during a commercial shoot who is eating a carton of “The Stuff.”

53. A Girl Walks Home Alone At Night

“The Last Drive In” was a great platform to showcase movies not just made in America, but from all over the world. Yes, this movie was shot in California, but the actors and the setting gives it an authentic Middle Eastern look and feel. A Girl Walks Home Alone At Night is an isolated atmospheric film shot in black and white and gives a fresh new take on vampire lore. I enjoyed every bit of it.

52. Christmas Evil

The film that got the John Waters Seal of Approval, Christmas Evil is the film that started the killer Santa Claus concept which would be done countless times throughout the 80s. Christmas Evil was known for its grainy cinematography and unique editing style. Writer/Director Lewis Jackson creates a somber story adding themes of social responsibility and personal morality throughout the Christmas season. Brandon Maggart gives a chilling performance as the antagonist who is obsessed with jolly old St. Nick that he takes it upon himself to transform into him and determine whom among his community are naughty and nice. Christmas Evil is a horror flick that doesn’t get mentioned alongside your Silent Night Deadly Nights or Santa’s Slays, but is one that stands the test of time and continues to proudly wear its Cult Status Badge on its chest.

51. The House of the Devil

The House of the Devil is a throwback to the classic horror films of the 70s and 80s. Filled with quiet, but tense moments the movie had me clinching my chest at the thought of what could happen next. It was well constructed and the slow burn would make up to what would be a fast paced and intense ending.

50. Madman

I’ve been seeing lists from other fans’ “The Last Drive In” lists and most of them seem to rank Madman near the bottom. Madman is not a terrible movie. It’s an early 80s slasher that borrows from Friday the 13th featuring a creepy antagonist based on lore and characters that can’t seem to see what’s in front of them. There are some good kill scenes. And how could you not love Joe Bob singing the Madman Marz theme song at the end? I would put that performance alone at the very top of the list.

49. Jack Frost

Another film that is perfect for “The Last Drive In,” Jack Frost is not a great movie, but its over the top silliness makes for pure entertainment. There’s some good effects and creative kills in this film. Cheese can’t even describe the puns Jack says after killing his victims. I’ll always think of this film as Shannon Elizabeth’s acting debut and her crude death scene that if were shown today would definitely be receiving attention from the Me Too movement.

48. Victor Crowley

The fourth installment in Adam Green’s Hatchet franchise is an ode to the slasher films of the 80s. Features some hilarious performances and brutal kills, Victor Crowley is the type of movie you would watch at a sleepover in the middle of the night. And of course I can’t forget to mention the cast of the film appearing as the guests of the show in their pajamas. One thing they left out to make it the ultimate summer sleepover was a campfire and S’mores.

47. Hogzilla

Hogzilla is not a great film, we get it. What makes the episode great is the fact that Darcy was able to get the rights to broadcast this. It was so much fun seeing the crew’s reaction when it was announced Hogzilla would be played. It was the first time on “The Last Drive In” where Darcy played the role of host giving out the Drive In Totals and Awards. We could see Joe Bob having fun with it despite his groans and complaints earlier in the episode. What keeps this from being a top ten episode is again, the overall movie.

46. Fried Barry

A Shudder world premiere film during Season 3, Fried Barry is indeed a trip. A drug addict gets abducted by aliens who then takeover his body and return to earth and ventures through the streets of Cape Town learning the ways of its inhabitants. Fried Barry is an art house style film that relies on visual and movement performances of its lead actor Gary Green rather than dialog. It’s essentially the journey of an extraterrestrial who is experiencing the pleasures of men and women while finding some heart in helping those in need and punishing those with bad intentions. I didn’t go into this movie with expectations and I came out at the end as not only an enjoyable film, but one of the better Shudder originals to air on the channel.

45. Hell Comes to Frogtown

Hell Comes To Frogtown is a great conclusion to what would be an incredible season. You can’t go wrong with a movie starring Rowdy Roddy Piper playing a scavenger whose been recruited by the government to rescue a group of fertile woman by mutant humanoid frogs for the purpose of getting them impregnated to repopulate the world after a nuclear war. Movie is full of hilarious moments and traditional one liners Piper delivers in the same manner as he did in They Live or any of his wrestling promotions. This was a great palate cleanser after the showing of Hellraiser II.

44. Class of 1984

My first viewing of Class of 1984 was on “The Last Drive In” and it was nothing like I’d expected. For some reason I thought it was a zombie high school flick, but instead it was a violent and heartbreaking look at a gang of misfits reigning terror on a school and causing certain teachers such as Perry King’s Andrew Norris to stand up and do something about it when no higher authorities have the courage to. The performances are solid as the mind games dwindle on the psyche of those involved. An overlooked exploitation film that continues to be relatable today with the school system falling apart and very few giving a damn at giving the kids an educational future they deserve. Features a pre Family Ties appearance from Michael J. Fox.

43. Pieces

Shown as the final movie in the original marathon Pieces is known for its brutal amounts of blood and gore as the killer takes random body pieces of women in order to create his own human jigsaw puzzle. Joe Bob’s hilarious commentary adds to the weird moments of the film along with the over the top dubbing of the characters since this was made by a Spanish filmmaking crew. I saw this movie before “The Last Drive In” viewing so I had fond memories of it.

42. The Changeling

You can’t go wrong with a traditional horror flick on “The Last Drive In.” The Changeling is a straight up ghost story film with brooding atmosphere and good performances. The film was a great reminder for the viewing audience that you don’t need monsters, blood, sex and any other weird stuff to make a compelling and haunting horror flick.

41. Deadbeat At Dawn

Deadbeat At Dawn is a personal film for me since this was shot entirely in Dayton, OH which is where I’m from and still reside to this day. A gritty underground film similar to The Warriors, Deadbeat At Dawn is known for its guerilla presentation as the film was shot without permits. The plot may not be cohesive, but there’s enough going on with the characters in the movie to keep you focused. For me, it was great to see downtown Dayton shown and remembering the stores and buildings. Most of them are still there although some are no longer inhabited. Amazing how much things change over time.

40. Halloween 4

Halloween 4 ranks as my third favorite film in the franchise and I was excited when it was announced it would be shown during the “Halloween Hootenany” special. After the box office disappointment of Halloween III: Season of the Witch, Universal went back to the drawing board to bring Michael Myers back. Halloween 4 would be the introductory film for future scream queen Danielle Harris who is the star of the film with her emotionally charged and vulnerable performance. There is much to enjoy of this movie from the kills to the return of Donald Pleasance desperately trying to warn Haddonfield about the return of Myers. The Return of Michael Myers was indeed a return to form.

39. Dead and Buried

A film that was on my most request list to get “The Last Drive In” treatment was granted during Season 3. Dead and Buried is a classic story of the undead that takes place is a sleepy seaside town. It uses creepiness over gore to get viewers to shake their bones. There’s some great extensive effect scenes including one that will make you squirm. The film also features early appearances of Robert Englund and Lisa Blount. Oh and of course Jack Albertson steals the show. You’ll never look at Grandpa Joe from Willy Wonka the same after watching this flick.

38. Ginger Snaps

Another film where I’ve heard so much about, but never got around to watching until it was a feature on “The Last Drive In,” Ginger Snaps makes clever use of the concept of a girl being bitten by a werewolf and slowing transforming into one as a metaphor for girls blossoming into womanhood. Katherine Isabelle acts out her hormonal feelings on boys she likes while unleashing her territorial rage on her enemies. The chemistry between her and Emily Perkins make you believe that they are real life sisters. I watched something fresh and original even if it’s been twenty-one years since its release.

37. Humanoids From The Deep

Humanoids From The Deep would be the final feature of Season 3 with legendary filmmaker/producer Roger Corman hanging out after the first feature to talk about one of his most recognized films. While he produced this movie and not directed it, this film has his stamp. Crazy creatures, naked women, a body count nearing 50, tons of blood and gore and explosions. Oh and don’t forget an insane ending. Humanoids From The Deep starts out punching and doesn’t stop until you are knocked out at the end credits.

36. Street Trash

I was quite surprised to learn that Street Trash was not a Troma film despite the fact it has all the elements to be one. Shown along with The Stuff as part of a melt movie episode, Street Trash features multiple storylines with bizarre characters, sleazy comedic moments and of course some colorful melting effects when victims who drink the half century old “Tenefly Viper.” The film was also notable for being the first film to use the steady cam as writer/director Jim Muro would go on to become the most sought after cameraman in the industry working on every blockbuster movie you could think of.

35. Black Christmas

Another classic film that was the introductory showing to the second Christmas special on “The Last Drive In,” Black Christmas is full of dark atmosphere, tension and uneasy imagery. The production is simple as there is no bloody death scenes, natural lighting and numerous first person shots that put you in the shoes of the killer. The performances of Olivia Hussey and Margot Kidder are memorable. This is one of the best films made by Bob Clark who would go on to direct two more critically acclaimed moves in Porky’s and A Christmas Story.

34. Tammy and the T-Rex

The first movie presented in the Valentine’s Day Special, “Joe Bob Puts A Spell On You”, Tammy and the T-Rex is a perfect blend of teenage romance, comedy and horror. Fans were treated to the “Gore Version” of this film that had only been seen in Italy until it was recently released in an original uncut edition on Vingear Syndrome. This version keeps the film from being too sappy. The ratchet up blood and gore definitely had me clinching my teeth over the absurd amount. The chemistry between Denise Richards and Paul Walker is genuine in the first half of the movie and I felt their performances were natural. It gets funnier when Walker’s character becomes the T-Rex and how he tries to act like he’s still human. Tammy and the T-Rex is one of those movies that shows how strong the power of love can be given unforeseen circumstances.

33. Phantasm III: Lord of the Dead

The second film shown in “A Very Joe Bob Christmas,” Phantasm III: Lord of the Dead continues from the events of the second film as we see Michael Baldwin return to play Mike who still is being pursued by the Tall Man and enlists the help of Reggie to stop him. Lord of the Dead features a perfect balance of horror and comedy. I enjoyed the Home Alone introductory sequence of the new character Tim. Reggie Bannister continues to sit alongside Joe Bob to talk about this movie along with the continuing lore of the Phantasm series. Phantasm III perfectly sits in the middle when it comes to listing the films from least to best.

32. Silent Night, Deadly Night Part 2

Fans have been desperately crossing their fingers in the hopes Joe Bob and Co. would be presenting this film and they delivered during “Joe Bob’s Red Christmas” in 2019. Silent Night Deadly Night Part 2 is the quintessential best/worst film ever although I’ve grown to be fond of this movie after numerous viewings. The film is known for many things including twenty minutes of the first film being shown as the protagonist Ricky goes through the traumatic details of the events that would lead to him being a killer. Of course Eric Freeman’s performance as Ricky is legendary in the horror world with his frequent eyebrow raising when he talks and the infamous screaming of “Garbage Day” as he shoots a neighbor taking out the trash. What would’ve made this presentation great is if Joe Bob brought Eric Freeman to the set to talk about his experience on the making of this film, but at least we got a re-enactment of the deer antler death from the first movie with Joe Bob dressed as Santa and Darcy playing Linnea Quigley.

31. Scare Package

Scare Package was the first Shudder original film to debut on “The Last Drive In.” The film is an homage to the anthology horror films like Creepshow. Each story is different and clever with some decent performances and a great blend of horror and comedy. The best and surprising thing about this movie was Joe Bob himself making a guest appearance in the final story and becoming a martyr and rightfully placing himself in the list of horror heroes.

30. The Day of the Beast

Week 9 of Season 3 was “Devil Appreciation Night” and the second feature was the 1995 Spanish horror/comedy film The Day of the Beast. The film is about a priest who goes on to commit as many sins as possible before Christmas in order to summon the devil believing that Armageddon will happen due to a cryptogram that he deciphered. Directed by Alex de la Iglesia, The Day of the Beast is an intriguing concept loaded with hilarious situations that the characters find themselves in resulting in a big payoff at the end. The performances of the characters and the cinematography gives the film a dark of a mood as its comedy. I was impressed with this film and it kept me on my toes as to what would happen next. I haven’t seen many Spanish horror/comedy films, but The Day of The Beast is the de facto best film I’ve seen to come from the country.

29. Tetsuo: The Iron Man

Ah, there’s nothing like crazy Japanese horror. I consider Tetsuo a hardcore horror flick as it deals with the melding of man and technology. Through the one hour and seventeen minutes of film, you’re engulfed with the most visceral and uneasy imagery in black and white as you see a man slowly transform. I couldn’t get through this film when I first saw it years ago, but was able to push through and watch it in its entirety during The Last Drive In viewing. I have a much better appreciation for it although it still makes me feel uneasy. Oh and how could you not love the ending segment of the episode where Ernie becomes a metal/lizard hybrid. Shudder needs to get a film adaptation green-lit.

28. Evilspeak

Featuring Clint Howard in an early leading role, Evilspeak uses the concept of technology as a way of summoning the devil. In this case, Howard’s character Stanley Coopersmith uses an Apple computer to translate the book written in Latin from demonic priest Father Esteban to unleash his evil spirit to punish his enemies. Evilspeak is a grisly horror film with a sympathetic character. If you’ve ever found yourself in the same predicament as Coopersmith during your school days, you will relate to this film and its vengeful third act. Not only did this viewing feature Howard as the special guest, but we were treated to a Clint Howard Tribute Song with video montage and an ending shot of his very successful but supportive brother Ron.

27. Phantasm IV: Oblivion

Phantasm IV: Oblivion is one of the best films in the series. Despite the limited setting and characters due to the budget, Don Coscarelli still managed to put together an exciting and story enriched film which for the first time in the series explored the origins of the Tall Man. Angus Scrimm and Michael Baldwin’s performances are the best seen through the continuous narrative of the Phantasm story. Of course we can’t forget about Reggie Bannister as he continues to be Mike’s guardian who swore to protect him from the clutches of the Tall Man who provided great insight on the making of this movie as he did the others during the “A Very Joe Bob Christmas” special.

26. Troma’s War

How could they not show an original Troma movie on “The Last Drive In?” Troma’s War is considered one of the best films of Lloyd Kaufman’s filmography with its serious subject matter mixed in with the traditional gags Troma has been known for including tongue rippings, weird hybrid man/animal creatures and a fart joke that took the wind out of me from all the laughter. And what better way to show this film than to bring Lloyd Kaufman on himself as the special guest. It was so much fun watching Joe Bob and Kaufman talk back and forth not only about the movie but the history of Troma. Kaufman was indeed one of the best guests “The Last Drive In” has ever had on the show. I could watch these two talk about movies all day long. They should get together and do a theater tour once this COVID pandemic finally ends.

25. The Exorcist III

The Exorcist III is an underrated horror film with plenty of atmosphere, jump scares and solid performances. This was one of the movies I was hoping “The Last Drive In” would show for Season 2. While the film is based on William Peter Blatty’s novel Legion, there’s small elements that bring you back to the first movie including Jason Miller’s return as Father Karras and the exorcism at the end. The highlight of the movie is Brad Dourif’s emotional performance as the Gemini Killer. If horror was not frowned upon by the academy, Dourif would’ve easily receive an Oscar nod for his role.

24. Halloween

How could you not call your Halloween special “Halloween Hootenany” without showing the original Halloween? “Halloween Hootenany” gave us three films from the Michael Myers universe and the first film kicked off the festivities. The John Carpenter classic continues to be fresh, innovative and overall creepy. Carpenter’s music only heightens the tension of what is going on. Let’s not forget the performances of Jamie Lee Curtis P.J. Soles and Nancy Keyes as the first trio of scream queens. Halloween continues to be the blueprint for how to make a great slasher film.

23. Maniac Cop 2

The first Maniac Cop film set the tone of the series and it’s first sequel gets a huge facelift (figuratively speaking. Drive In Mutants were treated to a double dose of Maniac Cop during Season 3. Maniac Cop 2 is loaded with enhanced kill scenes, motor vehicle chases and bodies on fire and falling from windows onto the roof of a bus. On top of that, fans were delighted to see a second special guest which turned out to be the fanatical filmmaker of the series William Lustig. I enjoyed his behind the scenes stories on the making of 2 and was quite surprised of the influences that Lustig features in the second film. Lot of fans prefer Maniac Cop 2 over the first movie, which is understandable. The second film looks and feels more lively. This is indeed a great follow up to an 80s exploitation classic, however my heart still belongs to the inaugural film.

22. Chopping Mall

The film that kicked off Season 2 of “The Last Drive In,” Chopping Mall is another film that I’ve seen before and have fond memories. Only Roger Corman could come up with a concept about security robots going berserk and hunting down teenagers trapped in a shopping mall after hours. I love the music along with the performances and action sequences. This viewing was made more special with the appearance of Kelli Maroney who sits down with Joe Bob to talk about the movie and some unflattering experiences with director Jim Wynorski. There’s not much more to say about this movie without going too further into details only to say, “Thank you. Have a nice day!”

21. Phantasm

The first Christmas special on “The Last Drive In” titled “A Very Joe Bob Christmas” featured the viewing of four of the five Phantasm movies. While the Phantasm movies aren’t Christmas themed movies, you could argue that the silver balls in the series is a reason to show them in December. What can you say about the original Phantasm that hasn’t already been said? It’s another iconic original horror flick filled with diverse characters, tricky special effects and beyond comprehension moments like how does the Tall Man’s chopped off fingers turn into a giant killer fly? Don Coscarelli’s masterpiece is one that continues to be celebrated year in and year out. It’s a classic flick that deserved “The Last Drive In” treatment.

20. Wolfcop

Wolfcop was another movie I’ve never heard of until it was presented on Season 1 of “The Last Drive In.” I loved everything about the flick from it’s new take on werewolf transformations to the fast paced action and a creative plot. Leo Fafard’s dual performance as Lou Garou and Wolfcop is one of the best I’ve seen from the horror genre in the last ten years. It stacks up there along with the other dual superhero performances. I also enjoyed another history lesson from Joe Bob this time about the Canadian province of Saskatchewan where the film was shot and takes places in. I also learned that “Liquor Donuts” is an actual thing. Maybe Shudder can get the rights to play Wolfcop II for Season 3?

19. The Hills Have Eyes

Wes Craven’s The Hills Have Eyes is another film that makes me feel uneasy and I have to pull my own teeth just to get through. What makes this film uneasy for me is that this could happen in the real world and there’s nothing more terrifying than that. I respect the film for it’s risk taking, gritty and sleazy characters and the feeling of hopelessness. This particular viewing was a little more comfortable for me thanks to the special guest appearance of Michael Berryman. While his character in the film, Pluto is a scary as any character on film, Berryman is a gentle humble giant. Just like the promos for Craven’s earlier flick The Last House on the Left, I have to keep telling myself, “It’s only a movie!”

18. Audition

Takashi Miike is one of the greatest if not the greatest Japanese filmmaker. He never apologizes for creating brutal and shocking films with a strong message about society and politics. Audition is one of those movies where it starts out milk and roses until the milk expires and the roses whither. There are so many moments that had me looking away or feeling uneasy as the Eihi Shiina’s performance as Asami who assimilates herself into Aoyama’s life as a possible bride to be, only for her to take out her past traumas on him. The final act of the movie is intense. In the end Audition can be interpreted as a feminist themed revenge flick due to the misogynistic nature of the male characters in the beginning. Either way it’s messaging is loud and clear.

17. Hellraiser

Clive Barker’s film adaptation of his own novel is still an iconic visual experience. There is so much to love about Hellraiser from the makeup to special effects to the original story. It’s a film that gives no warnings as to what is going to happen and apologizes for nothing in the end. Hellraiser pushes the boundaries of what is acceptable in horror films. What a perfect film to be shown in the original marathon where Joe Bob showed the best the genre had to offer.

16. Brain Damage

I’m a huge fan of Frank Henelotter and his movies and I was ecstatic that “The Last Drive In” would be showing another one of his classics. Brain Damage is a creative take on Faust which also has an anti-drug message associated with it. I loved the visuals of the movie and not to mention the relationship between Rick Hearst and Aylmer the Parasite that develops through the movie which becomes a tug-o-war for control. Speaking of Aylmer, he may be cute with a sophisticated voice provided by the late great John Zacherle, but his intentions are downright sinister. Henelotter is not afraid to push buttons and he certainly does in this movie, especially during the club girl giving head scene.

15. C.H.U.D.

I know what you’re asking, “Why is C.H.U.D. so high on the list?” Yes, it may not be everyone’s cup of tea, but I ranked this movie higher than other because of the fact the Joe Bob made this film more entertaining to watch. I can’t recall a single time since I’ve watched Joe Bob where he outright bashes a movie that is being presented. Every break he seem to gripe about one thing after another about C.H.U.D. which is rightfully so. Also it’s funny that he only gave a Drive In Academy award nomination for John Goodman in his short small role and when he gave the film two stars, you could hear gasps from the Shudder crew. If Shudder can’t get the rights back to C.H.U.D. they should at least put up the Joe Bob segments. Those alone are pure entertainment gold.

14. Castle Freak

Castle Freak is another original and creative film that uses real settings, has a brooding atmosphere and a sympathetic antagonist despite his disfigured appearance. One of the few films from late legendary horror director Stuart Gordon that is not adapted from an H.P. Lovecraft story. This viewing of Castle Freak is enhanced by the special guest appearance of star Barbara Crampton, who is lovely as ever and provides a humbling take on the film. This is one of the best films made by Charles Band’s Full Moon Features and makes me wish that they would go back to this style of film making instead of making Troma ripoffs.

13. Q: The Winged Serpent

Shown the week of Larry Cohen’s passing (featuring a nice tribute at the beginning of the broadcast), Q is the perfect B-Movie to be shown on “The Last Drive In.” A unique film that blends the genres of monster movies and film noir, the movie is known for it’s great performances from its two leading actors Michael Moriarty and David Carradine, it’s inventive story and like every Larry Cohen film, his use of stealing shots and creating realistic reactions from those who are unexpected pelt with blood or running away from the final battle of the flick. Q is my favorite Larry Cohen film of all time and what better way to honor the late auteur’s memory by showing just that.

12. Henry: Portrait of a Serial Killer

One of the most controversial horror movies made and a film that still makes me uneasy, Henry is about as realistic as it can get. The performances of Michael Rooker and Tom Towles as Henry and Otis are as sickening and disturbing as their real life characters (the characters were based on serial killers Henry Lee Lucas and Otis Toole). The home invasion scene in the film is one that I continue to fast forward to this day as it is too much for me to handle. Director John McNaughton is the special guest on the viewing of Henry and goes into the detail the troubles he had making the film and struggling to find a distributor who would release it. Henry is indeed a controversial work of art that is revered and respected by many in the underground horror community.

11. Hellbound: Hellraiser II

What better way to enjoy watching a Hellraiser movie than to watch the perfect sequel to the original and bring along its two main stars as special guests? Hellbound was the first film shown in the final episode of Season 2. Ashley Laurence and Doug Bradley were brought on to discuss not just this movie, but the original film and the lasting legacy of the Hellraiser franchise. Bradley goes deep into the myths and legends of Pinhead and gives his own interpretations of the character he has played for over thirty years. At the same time, we’re watching a film that lives up to the mantle of the first movie providing a cohesive story and some of the nastiest characters you just love to hate. Hellbound was an experience that kept me chained to my seat.

10. Rabid

Rabid was indeed a strange film, but would continue David Cronenberg’s vision of bodily horror. Rabid is a mixed take of a vampire flick and a zombie flick with body experimentation. It is filled with gory moments, an intelligent story and a surprisingly good performance from Marilyn Chambers who is best known for her work in the adult film industry. Rabid is a reminder of the fears that we as humans may have when it comes to surgery or implants.

9. Next of Kin

“The Last Drive In” has shown us international films from Italy, Japan, the U.K. and even Serbia, but Next of Kin is the first Australian film to be shown. From the opening shot of the film into the opening credits with a creepy score from Klaus Schulze, you know you about to watch something unique and one of its kind. Next of Kin is a stylized gothic murder mystery with tense atmosphere, great camerawork and gritty but beautiful cinematography featuring shots of lone roads in the land down under. The performances feel real and genuine as you can feel the uneasiness of the characters. It has genuinely frightening and shocking moments that had me clinching my teeth. Huge credit to director Tony Williams for creating a suspenseful Hitchcockian flick that doesn’t need cheap kills or ample amounts of blood to get the audience shivering. Kudos to the production team at “The Last Drive In” for getting the rights to broadcast this film otherwise I would’ve overlooked the chance to see something that did something to me I haven’t felt since I started familiarizing myself with horror at a very young age…scaring the pants right off of me.

8. Mayhem

I absolutely loved Mayhem when this was presented on “The Last Drive In.” From the first five minutes I was hooked on this film. I like the raged zombie concept that was originally started with 28 Days Later and brought it to a white collar environment. There are some great performances and plenty of action packed moments. I along with many can relate to Mayhem as some days we just want to lash out at our jobs or the people we’re surrounded by that make us want to throw a chair. This was one of the highlights of Season 2 for me.

7. Re-Animator

Stuart Gordon’s take on the H.P. Lovecraft short story is still one of the best low budget horror films of the 80s. It is filled with unique characters including Jeffrey Combs’s quite but determined performance as Herbert West. Besides the ample amounts of blood and gore there are many comedic moments that help tone down the violence and of course the film is known for a head giving head….that’s all I’ll say. Reanimator was the perfect film to be shown during the initial “The Last Drive In” summer marathon and it is still a perfect film in this writer’s opinion.

6. Deathgasm

As I was working on this list, I wanted to incorporate a recent horror film that I enjoyed the most and had a lasting impact. After going through the list, one movie stood out and that was Deathgasm. Deathgasm is a rare film blending heavy metal, dark magic, demon possession and romantic moments. This movie was a gorehound’s dream come true wanting a movie that brings back all the things you love about horror films. There is some exceptionally good performances in this film. I enjoyed the camera work the special effects and of course the music. Deathgasm is a movie that I have on replay when I go back and look to re-watch movies shown on “The Last Drive In.”

5. Train To Busan

I’ve heard so much about Train To Busan from friends of mine and in my busy world, I could never find time to watch it and see if it lived up to the praise that it has received. After watching it on “The Last Drive In” the praise is well deserved. Yes, Train To Busan is a zombie movie with the typical concept of a biological virus escapes and turns people into zombies, but this is a film that is much more than that. It is a thrilling, tension-laced roller coaster ride as the survivors try to escape and block the zombie herd in tight corridors on a train. In addition this movie gets your emotions riled up as you have characters that you care about and feel for their situation and you have characters that you despise. Writer/Director Sang-ho Yeon delivers an unforgettable viewing that redefines the zombie genre after years of staleness.

4. Maniac Cop

Another movie I fell in love with after the first viewing, Maniac Cop gets not only the “Last Drive In” treatment during Season 3, but we get a special guest appearance from the king himself (Elvis per se since he did play him in a movie once). I’m talking about Bruce Campbell. This viewing was highly entertaining. It was fresh to hear Bruce Campbell talk about a movie he was featured in that didn’t have the title Evil Dead in it. Maniac Cop features a ensemble cast of familiar faces including Campbell, Tom Atkins, Richard Roundtree, Laurene Landon and Robert Z’Dar as the antagonist Matt Cordell who is on a rampant killing spree into not only to give a black eye to New York’s finest, but to seek revenge on those that framed him and caused his disfigurement. Great script from Larry Cohen and incredible direction from William Lustig as they unleashed a societal slasher flick about corruption, police brutality and punishing the innocent which continues to play out today.

3. The Texas Chainsaw Massacre

The Texas Chainsaw Massacre was shown during the Thanksgiving marathon titled “Dinners of Death.” This was the perfect movie to watch while you stuffed your face with turkey, sides and pie. After Joe Bob opens up the special with a immigration history on Thanksgiving, we dive right in as we will watch in horror the fate of the five characters in the film as they are picked off one by one from Leatherface. Tobe Hooper’s masterpiece is placed rightfully so in the Horror Hall of Fame. It’s viewing experience enhanced by Joe Bob’s knowledgeable trivia about the making of the movie, the actors and crew involved and where the Chainsaw house currently resides and what has been turned into.

2. Sleepaway Camp

I met Felissa Rose at a convention in 2015 and I honestly told her that I’ve never seen Sleepaway Camp before and that I pledged to her that the next time I met her I would see it. Fortunately, the movie was shown during the initial marathon with Rose appearing as a special guest. I loved Sleepaway Camp after the first viewing and became a huge fan that I went out and bought the Collector’s Edition on Blu-Ray. Sleepaway Camp is not just a camp slasher knockoff. There is some memorable death scenes, off beat characters with their own individual personalities and the misdirection as to who the killer may be. Of course Sleepaway Camp is known for it’s more controversial moments including the ending. I enjoyed Felissa Rose’s stories about the making of the film along with the actors she worked alongside with. I met Rose again in 2019 and brought along my Blu Ray copy for her to sign and told her that I loved the film after finally watching it on “The Last Drive In.” This viewing was the second best viewing of a film only to this film being listed number one….

1.Basket Case

I had been searching high and low trying to find Basket Case ever since I saw the box cover art at Blockbuster back as a kid (yes, I’m that old). When I heard it was going to be shown on the initial “The Last Drive In” marathon, ecstatic couldn’t describe my reaction. I did not know what to expect from the movie as I avoided spoilers and reviews for the longest time. I literally fell in love with Basket Case when the showing had ended. Frank Henelotter created an original and creative exploitation revenge flick filled with blood, breasts and beasts. I loved the grainy and gritty look of New York City that was shown in the film. Each character was great in their own way. I enjoyed the performances of Kevin Van Hentenryck as the lead character Duane who assists his deformed brother Belial seek revenge on those that separated them and I loved Terri Susan Smith as the loopy Sharon with that hilarious wig on her head. Of course the monster Belial was grotesque and I loved how he goes postal on everyone including the well done stop motion effect of him trashing their hotel room. What astonished me the most about this film was that it was made for only $30,000. Basket Case is an example that you can make a great shock horror flick with little to no money. It’s no wonder why Joe Bob loves this movie and considers it one of his favorite films of all time. I’m right there in Joe Bob’s camp. Basket Case has instantly become one of my Top 5 Horror films of all time.

So what did you think of this list? Feel free to comment, provide feedback, disagree, yell at me. All of it is very much appreciated.

Brain Damage

Official Poster

Release Date: May 25, 1988 (France)

Genre: Horror, Comedy

Director: Frank Henenlotter  

Writer: Frank Henenlotter

Starring: Rick Hearst, Gordon MacDonald, Jennifer Lowry, Theo Barnes, Lucille Saint-Peter, John Zacherle (Voice/Uncredited)

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

I’ve been wanting to do this review for a very long time. This happens to be one of my favorite Horror/Drive In/B Movies of all time. It was done by the great Frank Henelotter, who did the Basket Case trilogy (See my review of the first Basket Case movie for Halloween) and Frankenhooker. What’s great about Frank is that he’s only made a half dozen movies, but they’re all creative, original and super fun to watch. I rather have a filmmaker I like make six great movies than a filmmaker like Ridley Scott, who’s made fifty plus movies and thirty-five of them are forgettable. So, without further ado, here is the review for Frank’s 1988 movie about drug addiction in a creepy, funny style titled Brain Damage!

The movie is about a guy named Brian who is laying in bed feeling sick. When he gets up, he notices blood on his pillow all the way down to his bedsheet. He feels the back of his neck which is also bleeding. Unsure of what happens, he lays down again. Suddenly, he starts going on a psychedelic trip where he sees bright lights and colors. Knowing that someone or something is causing this, he asks for this person to reveal themselves. From behind his neck appears a long black/bluish phallic looking parasite named Aylmer (pronounced Elmer). Aylmer reveals to Brian that he has a juice in his body when injected directly into the brain will give the person a euphoric feeling. Brian starts to get addicted to Aylmer’s juice which causes him to isolate himself from his girlfriend, Barbara and his brother, Mike. As Brian goes around town dancing and living it up with this aura in his brain, unbeknownst to him Aylmer kills anyone near him and eats their brain. Brian is eventually confronted by an elderly man named Morris, who was Aylmer’s former host and warns Brian that Aylmer is looking to take over him and by continuing to be on his juice, his brain will continue to turn into mush and become dinner for the hungry parasite. Brian must find a way to get control of himself before he becomes Aylmer’s next victim.

Rick Hearst in “Brain Damage”

As the title suggests, the movie is about drugs, drug addition and the effects it has on the person taking them and their loved ones. According to Frank Henelotter, he came up with this idea after having a bad trip taking cocaine. Henelotter makes a visually compelling monster movie with a strong message. He takes the audience for a ride through the mind and body of a junkie. You go through the highs (pun intended) and the lows of the character. In between the movie you’ll be caked with blood, gore, brains and some dark humor.

Let’s start with the acting. The film is primarily focused on the two characters of Brian and Aylmer. Rick Hearst plays the protagonist, Brian. This was his first movie and does a dang great job of playing Brian. You don’t know much about Brian in terms of what he does for a living, where he came from. Brian gets easily manipulated once he starts getting high which can be common among addicts. When he goes on his trips, he’s very child like as he’s amazed by the colors and lights around him and how he can feel the music. Hearst plays a convincing addict through his physical appearance, his facial expressions and the hallucinations he sees. You’ll laugh, cry and be horrified by what he goes through. Next, you have Aylmer, who is voiced by the great John Zacherle (AKA Zacherle the Ghoul). If you’re not familiar with Zacherle, he was the host of ‘Shock Theater’ back in the late 50s/early 60s when NBC would play the Universal monster movies on television. Zacherle’s voice is soft and sweet which he gives to Aylmer. Aylmer’s voice is soothing to Brian which makes him feel calm around the devious creature. Aylmer is smart in not revealing his intentions to Brian until a crucial scene in the film. He has the characteristics of a snake. He slithers and sneaks around when in hiding but strikes quickly when he is ready to attack. The great use of stop motion animation, puppetry and Zacherle’s voice makes Aylmer one of the best movie monsters I’ve seen in a long time.

Scene From “Brain Damage”

Like his first movie Basket Case, Brain Damage has a similar look and style to it. It’s shot on 35MM film. The atmosphere is gritty as you follow Brian through the various locations in an inner city. Henelotter fills every scene with as much detail to look at. No shot is hollow. You’ll be immersed by the transitional shot of Brian looking up at his ceiling fan which slowly morphs into an eyeball, or the blue colored water which fills up his bedroom as he slowly submerges into it. And like his previous film, there is enough blood and gore to make you squeamish. The most powerful scene in the movie (at least to me) is the confrontation Brian has with Aylmer in the bathroom at a cheap motel. After Aylmer reveals that he needs brains to stay alive, Brian refuses to go along with it and will no longer ask to get high which prompts Aylmer to challenge him that if he doesn’t get a brain, then Brian can’t have his juice. Brian agrees thinking he’ll easily win. There are several dissolve shots of Brian going through severe withdrawal symptoms that are common in addicts who haven’t gotten a fix or are detoxing. Each fade away shot shows Brian in more agony than the previous. On top of that you have Aylmer who gleefully taunts him which doesn’t help the situation. It’s heartbreaking to see Brian struggle, but it shows how powerful drug addiction is.

I’m not certain what the budget was for this movie, but Henelotter has always worked with a very small budget. He squeezes every dollar in his budget and this movie is no exception. The visuals and special effects work are so impressive that you don’t believe this was done on the cheap. I’ve always believed that you don’t need hundreds of millions of dollars to create a great movie. If you have the right story and actors and if the filmmaker can generate a coherent story, then you’ve got a great movie.

Aylmer (Voiced by John Zacherle)

Brain Damage ranks very high (no pun intended) on my all-time favorite movies. More than thirty years later, this movie is completely relevant to the issues of drugs and addiction that we face in our world today. This movie gives you a dark, gory and comedic tale of one who succumbs to drugs. While this movie is not kid appropriate, I believe is a good movie to scare straight anyone who thinks drugs are cool. After watching Brain Damage it will make them think twice before doing something that will give them a short ride, but a long wreck in the end.

TRIVIA (Per IMDB)

  • During the fellatio scene the crew walked out of the production refusing to work on the scene. A similar incident happened during the shooting of Basket Case (1982).
  • Brian has an unexplained cut on his lip all throughout the film. It was a part of a subplot involving him getting into a fight the night before defending his brother in a bar fight. But due to time restraints the explanation scenes were never filmed.
  • In a 2016 interview, Frank Hennenlotter said one of his favorite things about shooting in 35mm was that he couldn’t misplace the camera as easily as he did with the 16mm camera he used on Basket Case.
  • Film debut of Rick Hearst.

AUDIO CLIPS

These Are Beautiful
Could We See Your Bathroom?
Start of Your New Life
Brian’s High
A Bit Underdone
Things Are Really Getting Weird Around Here
Nothing That Simple
Not Elmer, Aylmer!
Forgot Your Buckets
When It Comes To Blood In My Underwear
Aylmer’s Tune
I’d Be Happy To Help You
The Whole World’s Gonna Come To An End
What’s Your Problem Man?
Yoo-hoo!
Put Me On Your Neck

Happy Heavenly Birthday! My 10 Favorite Larry Cohen Movies

Larry Cohen: 1936-2019

On March 23, 2019, the film industry lost a true auteur. Larry Cohen was the king of B-Movies. He started his career in the industry as a writer for television creating cult shows such as The Invaders, Coronet Blue and N.Y.P.D. Refusing to bow to Hollywood, Larry Cohen went out and created the movies he wanted to create. He wrote, produced, and directed numerous films of different genres. He was also known for giving up and coming African American actors and actresses their big break in the business as well as giving forgotten legends a second wind. His guerilla style of filmmaking was bold and risky. If Cohen were making movies without permits today, he would be arrested multiple times. I consider Larry Cohen my second favorite filmmaker only to John Carpenter. His movies are refreshing to watch for its originality, characters, and the reflection of the world during the particular time. Larry Cohen has claimed to be a writer first as it is notable through various scripts that have been produced into hits such as William Lustig’s Maniac Cop trilogy and the early 2000s suspense thrillers Phone Booth and Cellular. To celebrate his birthday today, I’m sharing with you my ten favorite movies from Larry Cohen’s filmography. These films are listed in order.

10. Original Gangstas

Fred Williamson in “Original Gangstas” (1996).

The first film in the list ends up being the last feature film directed by Larry Cohen and teaming up again with Fred Williamson who starred in the movies Black Caesar and Hell Up In Harlem. Original Gangstas tells the story of John Bookman (Williamson) who returns to his hometown of Gary, Indiana upon hearing the news that his father got shot by some local gangsters. A former gang member himself, Bookman enlists the help of Jake Trevor (Jim Brown) and Laurie Thompson (Pam Grier) to bring a sense of order and justice to the one flourishing city that has been reduced to rubble, poverty and chaos. The film is notable for being shot on location in Gary during a time where there were more than three thousand crimes reported and hundreds of people murdered as well as Cohen hiring the local gangs to not only perform in the movie, but work alongside the crew. Original Gangstas is a tribute to the Blaxploitation films of the 1970s filled with traditional action scenes of the era and a dramatic story. This film was a personal project for Williamson who was born and raised in Gary and wanted to show the audience that Gary is not the murder capital of America, rather it’s a city looking for it’s sense of place and there are hard working people who are trying to make a difference in improving the community. Original Gangstas is the perfect movie to watch especially during these divisive times in America and by watching should give a glimmer of hope that things can be turned around for the better.

9. Bone

Yaphet Kotto and Joyce Van Patten in “Bone” (1972).

Larry Cohen’s film debut was not a horror flick, but a strange dark comedy. Bone stars Yaphet Kotto as a criminal who breaks into the home of a wealthy couple who are having marital problems. He gets to know the couple and comes up with a resolution to their problems. The movie also stars Andrew Duggan and Joyce Van Patten as the married couple. The film is dialogue heavy with some good acting, early foreshadowing and surreal moments. The film was shot inside and outside Larry Cohen’s house to save money on the budget (he would use his home for scene locations in future movies).  Many consider Bone part of the blaxploitation film library, but it really isn’t. Bone is essentially a social commentary piece about race relations along with the attitudes of upper-class society and their opposition to those who they feel are beneath them. The film features the first interracial sex scene shot on film involving an African American male and a white woman as Van Patten helps Kotto with his own sexual insecurities.

8. The Private Files of J. Edgar Hoover

Broderick Crawford in “The Private Files of J. Edgar Hoover” (1977).

Spanning six decades and eight United States presidents, The Private Files of J. Edgar Hoover is one of the first film biopics about America’s number one crime fighter. Cohen chronologically walks through Hoover’s career in law enforcement from recruit to establishing the FBI and his continual rise to power and influence while at the same time focusing on the dual nature of his morality. James Wainwright plays a young J. Edgar which then transitions to Broderick Crawford playing him in his formidable years. The film also features an ensemble cast including Michael Parks, Jose Ferrer, Dan Dailey and Rip Torn. The film notably known for Cohen and his crew shooting on location in Washington D.C. and notably at Hoover’s home without permits while getting permission to shoot at the FBI Training Center and inside the FBI building himself, thanks to the first lady at the time Betty Ford. Crawford is the highlight of the film as he portrays Hoover as stoic and stone faced and is determined to hold on to his power by any means necessary. It’s a reminder that power can corrupt a person. Compared to Clint Eastwood’s film adaptation The Private Files of J. Edgar Hoover is more accurate account of his life and career.

7. Special Effects

Eric Bogosian in “Special Effects” (1984).

Featuring a small cast including early roles for Zoe Lund and Eric Bogosian, Special Effects is a Hitchcockian style film that gives viewers a behind the scenes look at the process of a film being made. Bogosian plays filmmaker Christopher Neville whose career is in jeopardy after he is fired from a multimillion-dollar project. He has an unexpected visitor in Lund who is an aspiring actress. After an attempt to sleep with her to which she refuses his advances, Neville kills the actress. He uses this experience to make his comeback film. The cast of the film as well as the police are suspicious about the details he puts in while shooting the film. While the pacing of the film is slow and focuses on way too many behind the scenes details, Special Effects is a decent thriller with beautiful cinematography, a heavy synth score and very convincing performances from Bogosian and Lund, who actually plays two roles in the film as the victim and the leading actress of the movie. Special Effects also depicts the seedy side of the movie business as Cohen throws in numerous examples of how cast and crew are treated and how far someone will go to make sure that their vision is completed.

6. The Ambulance

Scene from “The Ambulance” (1990)

Larry Cohen’s first movie in the 90s, The Ambulance is a quirky suspense thriller mixed with some unexpected comedy. The Ambulance stars Eric Roberts as a comic book artist is currently working on a project for none other than Marvel Comics (featuring a cameo from the late great Stan Lee) who meets a young woman on a New York City street named Cheryl (Janine Turner). Suddenly, Cheryl collapses on the street and within a matter of minutes, an ambulance arrives to take Cheryl to the hospital. Josh heads to the nearest hospital to check up on her. When he arrives at the front desk to find out what room Cheryl is in, the staff tell him that she was not admitted to the hospital. Now Josh is convinced there is something going on with the ambulance and the people who are associated with it. After asking for help from the local police department, specifically Lt. Frank Spencer (James Earl Jones) who is not convinced of his story, Josh continues his investigation hoping to find Cheryl before it’s too late. Larry Cohen based this movie on his own frightening experience involving an ambulance. The movie features great performances from Roberts who uses his skills as a comic book artist to his advantage in his finding of Cheryl. Jones plays a cynical meaty role as the rundown detective Spencer who is not convinced of Josh’s story. Legendary comic Red Buttons provides zingers and one liners throughout his screen time as New York Post reporter Elias Zacharai. One thing that struck out to me about The Ambulance was its cinematography. It was sharp, bright, and fit what films would look like in the 90s. The Ambulance itself is a character much like Stephen King’s Christine. Although it’s not a car that comes to life, but it comes to life from the look and the individuals who are driving it. Whenever the ambulance appears on screen, you know something is about to go down and not for good intentions. The Ambulance is a fast-paced thriller that keeps you on the edge of your seat.

5. It’s Alive

Scene from “It’s Alive” (1974)

Larry Cohen’s first take on a monster movie continues to be one of his scariest and iconic in the film world. It’s Alive tells the story of the Davis family who become parents of a killer mutant baby. From there local and government authorities attempt to track it down and kill it. However, the father hopes to find the child before they do. It’s Alive is the quintessential film for horror fans with plenty of scares and gore with a monster that lurks in the shadows. The first fifteen minutes of the film are the most tense and shocking moments captured on film. There are many things to love about It’s Alive from the pacing to the special effects and especially the music which was composed by longtime Alfred Hitchcock collaborator Bernard Hermann. Cohen uses the techniques from Spielberg’s Jaws by showing little of the mutant baby and having the audience interpret what is happening to the victims of its murderous rampage. It’s Alive is also a social commentary about the behavior of newborns and the changes of habitat and effects of chemicals that can cause harm to those in the womb. It’s Alive became such a financial success in the United States and overseas that it spawned two sequels.

4. God Told Me To

Tony Lo Bianco and Richard Lynch in “Gold Told Me To” (1976).

Perhaps the strangest movie Larry Cohen ever made, God Told Me To stars Tony Lo Bianco as Detective Peter Nicholas who investigates a series of murders all around New York City with the suspect proclaiming that God told them to do it. His investigation leads to a cult leader and from there unleashes starting revelations about himself and his beliefs. God Told Me To is a cryptic and challenging film as Cohen creates a world that is focused on religion, cultism, the duality of mankind and the questioning of one’s existence. It’s a complexed than Cohen’s other movies, but provides enough in terms of action, suspense, and imagery to keep you focused. Besides Lo Bianco there are solid performances from respected character actors including Sandy Dennis, Sylvia Sydney and Richard Lynch. The film is notable for Andy Kauffman’s appearance as a New York City police officer walking in the St. Patrick’s Day Parade along with the rest of New York’s finest. You can see the different reactions from the officers when they recognize Kauffman, all thanks to Cohen’s trademark of stealing shots. God Told Me To is a venturous film with twists and turns that dig deep into the mystery of whether or not man is alone in the universe.

3. Black Caesar

Fred Williamson in “Black Caesar” (1973).

One of the most underrated gangster films, Larry Cohen’s second feature Black Caesar is a jewel of the 70s blaxploitation cinema which launched Fred Williamson’s post NFL career as an actor. Black Caesar is a film that has a ton of attitude filled with charismatic characters, a cohesive storyline, violence that would make The Godfather jealous and a phenomenal soundtrack from the Godfather of Soul, James Brown. Williamson owns the role of Tommy Gibbs as a man who grew up in poverty in Harlem harassed by racist cops to taking over his home territory and gradually building his own empire under the noses of his employers. At the rise of his power is when his past comes back to haunt him and becomes suspicions of those close to him. The film is the first to show off Cohen’s guerrilla style of film-making as it was shot in New York City and Harlem with zero permits. The reactions you see from the bystanders in the movie are unscripted. Black Caesar became Cohen’s first financially successful film that a sequel was immediately green-lit which was shot and released in the same year as Black Caesar titled Hell Up In Harlem. This film would become the blueprint to how Larry Cohen would create his future works. 

2. The Stuff

Scott Bloom in “The Stuff” (1985).

Perhaps the most regarded and well-known film in Larry Cohen’s filmography, The Stuff is not just a horror movie, but a social commentary. Cohen made this movie at a time in the eighties where people consumed everything. The eighties was the birth of many electronics such as video game consoles, Walkman’s, VCRs, etc. It wasn’t just electronics people were craving, it was the current fashion trends, fast food restaurants popping up at every street corner. Cohen based “The Stuff” off the yogurt craze going on at the time. People were obsessed with yogurt because it was advertised as being healthy, filling, and tasty. Add heavy advertising to that and you have people become hooked on it turning them into consumer zombies. They consume and consume while the companies that make it rake in the profits. The movie is a pure 80s movie in terms of look, music, effects, and overall style. You have the bright neon lights of “The Stuff” logo along with its catchy music and commercials. Featuring a cast which includes Michael Moriarty, Andrea Marcovicci, Garrett Morris and Paul Sorvino. Oh, there’s even an appearance from the old lady in the Wendy’s commercials where instead of screaming, “Where’s the beef?” she cries, “Where’s the Stuff?” The effects of The Stuff creature vary throughout the film. In some parts of the film, it looks like a mix between frozen yogurt and marshmallow. In scenes where it bursts through walls, it milky and watery. Cohen does a great job showing that the creature doesn’t take on a basic form, rather it can come in multiple forms and textures. It even features a great tag line, “Is it eating it or is it eating you?”

1. Q: The Winged Serpent

Scene from “Q: The Winged Serpent” (1982).

Unquestionably my favorite Larry Cohen film of all time. Q: The Winged Serpent perfectly blends the genres of a monster flick with a crime noir filled with off beat characters and amazing performances by the actors that bring them to life including the memorable role of Jimmy Quinn played by Michael Moriarty in which has been described by many critics as the best piece of method acting they’ve seen for a small film. Larry Cohen wrote this film in six days and began shooting quickly after he was fired from directing I, The Jury. Like all his movies, Larry Cohen shot the film with no permits and used real life police officers, construction workers and window washers which gives the movie an authentic feel. The movie is shot in the streets of New York, over the skies of New York and of course the inside and outside of the Chrysler Building. When you watch the people of New York look above when they are getting splattered with blood falling from the sky or taking cover when bullet cases are raining down, those aren’t paid actors, those are real people who are quickly reacting to the situation that they are in. The only permission he received was from the owners of the Chrysler Building. At the cost of $15,000 Cohen was able to shoot inside the building all the way up to the top where no ordinary citizen has gone before. From there you will be amazed by what the top of the building looks like and becomes the set piece for the climatic showdown between the monster and the police which is this reviewer’s favorite scene in the whole picture. Now let’s get to the character of the monster itself, Quetzalcoatl! The special effects for Q were done using stop-motion animation by Randall William Cook and David Allen. It is custom for stop motion sequences to be shot as they are happening. This was not the case (nothing is ever coherent in a Larry Cohen movie). When Cohen hired Cook and Allen to do the stop motion animation, he had already finished shooting the movie. His plan was to add the creature into shots already taken. This results in the monster looking like he was pasted onto an existing shot. It brings a sense of unevenness when watching the monster when it appears or has moments of action such as plucking the heads off people. The effects are no different from what you would see in a b movie involving a monster, but don’t let the cheapness distract you. You will easily bypass it as you continue to be engrossed in the movie and enjoy the effects for the sheer fun. Q continues to be a timeless classic for me that I can watch repeatedly. It’s a great homage to the monster movies of the past.

Larry Cohen from “King Cohen” (2017).

So what did you think of the list? Do you agree or disagree? What movie from Larry Cohen’s library would you replace? If you’re interested in learning more about Larry Cohen’s career and his films, check out the award-winning documentary King Cohen. It’s one of the best documentaries of a filmmaker I’ve seen in the past five years.

Sleepaway Camp

Official Poster

Release Date: November 18, 1983

Genre: Horror

Director: Robert Hiltzik

Writer: Robert Hiltzik

Starring: Felissa Rose, Jonathan Tiersten, Karen Fields, Christopher Collet, Mike Kellin

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Note: This review was originally posted in October 2018 on my previous blog “Guilty Pleasure Cinema Review.”

This “Guilty Pleasure Cinema” review is one of the more controversial underground horror movies to come out of this list. This movie came out in 1983, but I wasn’t aware of the film until about 2014. It was this past summer where I watched it for the first time at a local discount theater where they were playing “Summer Themed” horror movies. It’s a movie like the previous two films in the special where I’ve watched repeatedly and enjoyed it on so many levels. The next film on this list is the summer camp slasher film Sleepaway Camp!

Sleepaway Camp is the story of two cousins, Rickey and Angela who are about to spend their summer at Camp Arawak. Rickey is a seasoned veteran at the camp while this will be Angela’s first time. Angela is quiet and shy. She is also suffering from a post traumatic event involving her father and brother being killed in a boating accident. Angela is disliked by the other campers for obvious reasons and only seems to talk to Rickey. She does strike up a conversation with Rickey’s friend Paul and become close throughout the movie. As the summer camp begins its annual season, a series of murders start to happen that has everyone on edge. Who is committing these murders and what is the motive?

Jonathan Tiersten and Felissa Rose as Rickey and Angela in “Sleepaway Camp.”

Sleepaway Camp was a surprise hit at the box office. It grossed over $11 million dollars with a reported $300,000 budget. It has a huge following and Felissa Rose became a member of the “Scream Queen Sorority”. The movie is known for its infamous and controversial ending that still shocks the viewing audience today (It sure did shock me). People like to debate which was the better slasher film, this or Friday the 13th.

Right off the bat, Sleepaway Camp gets your emotions charged. You see the traumatic event that will shape the story and the character of Angela throughout the film. When you see Felissa Rose appear on screen for the first time she is quiet and reserved. She barely makes eye contact with her aunt and stays close to her cousin Rickey. The camp counselors (well…most of them) are aware that this is the first time Angela will be away from home and they give her sympathy and comfort to make sure she enjoys her time. Her unwillingness to socialize with her roommates nor participate in any camp activities draws the ire of Judy (Karen Fields), the supposed popular girl at the camp and Meg (Katherine Kamhi). Rose gives a cold frightening performance with her constant stare downs. It’s a very intimidating look although the rest of the counselors don’t feel intimidated by her. She doesn’t utter her first words until she is confronted by Paul, Rickey’s fried who attempts to engage in conversation with her. From there you see her shyness melt away as she spends more time with Paul.

Susan Glaze and Paul DeAngelo as the horrified counselors in “Sleepaway Camp.”

Besides Rose’s iconic performance, the other performances were good. Each actor and actress played their character as they were written. Jonathan Tiersten’s performance as Rickey was hilarious. He loves to stir up trouble through his trash talking and constant profanity. He does a great job protecting Angela. He’s like a big brother to her rather than a cousin. My other favorite performance is the camp owner, Mel played by veteran actor Mike Kellin, who sadly passed away before the film’s release. Mel does his best to keep his reputation by trying to spin what is happening to the people that are dying in the film. He has a hilarious scene where he appears wearing lime green pants and a yellow jacket in anticipation for a hot date. There’s also a small appearance from Robert Earl Jones as the chef, Ben. He is the father of legendary actor James Earl Jones.

The gore is minimal in comparison to Friday the 13th. The killer uses the surrounding environments to take out its victims one by one. You’ll notice a pattern of whom the victims are. You may think to yourself you already know who the killer is, but the movie uses a bit of trickery to throw off your assumptions. There is a small body count throughout the movie until the very end where the volume doubles.

Mike Kellin gets an arrow to the throat.

Sleepaway Camp balances the kills with some humor. There are plenty of hilarious moments throughout the movie including Rickey and his bunk mates playing tricks on one of their own, the male campers going skinny dipping and some funny mustache miscues. The cop in the movie has a mustache in his first appearance, but when he appears near the end, you can tell the mustache is fake and uneven. The reason for that being is the actor that played the cop had shaved his mustache off after he was done shooting his part but was called back due to additional shooting. Since he couldn’t grow one quickly in time, they had to improvise.

This is the only film writer and director Robert Hiltzik made. He made a career change and today he is an attorney in New York. For what it’s worth, he made a really good slasher film. It’s a movie with a ton of replay value that you can watch repeatedly. You don’t need to be watching it in the summer to enjoy it as it is a film you can watch in any season.

TRIVIA (Per IMDB)

  • The original artwork for the Sleepaway Camp Survival Kit boxed set, which included the unauthorized sequels, was recalled after complaints were made by the American Red Cross.
  • Some of the campers seen getting off the buses at the beginning of the film are relatives of the cast and crew.
  • Jane Krakowski, who played Cousin Vicky in National Lampoon’s Vacation was originally cast to play Judy.
  • Mike Kellin’s final film. He was sick during filming but did his best to conceal it from everyone and passed away in August 1983 from lung cancer, three months before the film’s release.
  • Willy Kuskin who plays the character of Mozart, one of the bullied camp boys, was genuinely bullied during filming. Frank Trent Saladino who played Gene, Mozart’s camp counselor, had to step in to protect Willy at times when the other members would take it too far.
  • Felissa Rose and Jonathan Tiersten developed a puppy love type romance during filming but broke up soon after.
  • Jonathan Tiersten was given the role of Ricky after an unusual audition where the writer/director, Robert Hiltzik, asked Jonathan to cuss him out.
  • As a child, writer/director Robert Hiltzik actually went to the camp which was used in the film.
  • One of the inspirations for ‘Weird Al’ Yankovic’s “Nature Trail to Hell,” along with Friday the 13th Part III (1982), referencing the cutting up of Cub Scouts and an ending you have to see to believe.

AUDIO CLIPS

Any Chips?
Young Fresh Chicken
Wait Until You See Judy
Meg – M.E.G.
She Were Any Quieter She Be Dead
Every Nerve In His Body Is On Fire
Shut Up Mozart
Eat Shit And Live
Getting Caught With Your Pants Down
Hey Bobbery Bob
Angry Lifeguard
Mel’s Rationale
Guess Who?
Makes Things Easier For The Killer
Mel Rants