Sleepaway Camp

Official Poster

Release Date: November 18, 1983

Genre: Horror

Director: Robert Hiltzik

Writer: Robert Hiltzik

Starring: Felissa Rose, Jonathan Tiersten, Karen Fields, Christopher Collet, Mike Kellin

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Note: This review was originally posted in October 2018 on my previous blog “Guilty Pleasure Cinema Review.”

This “Guilty Pleasure Cinema” review is one of the more controversial underground horror movies to come out of this list. This movie came out in 1983, but I wasn’t aware of the film until about 2014. It was this past summer where I watched it for the first time at a local discount theater where they were playing “Summer Themed” horror movies. It’s a movie like the previous two films in the special where I’ve watched repeatedly and enjoyed it on so many levels. The next film on this list is the summer camp slasher film Sleepaway Camp!

Sleepaway Camp is the story of two cousins, Rickey and Angela who are about to spend their summer at Camp Arawak. Rickey is a seasoned veteran at the camp while this will be Angela’s first time. Angela is quiet and shy. She is also suffering from a post traumatic event involving her father and brother being killed in a boating accident. Angela is disliked by the other campers for obvious reasons and only seems to talk to Rickey. She does strike up a conversation with Rickey’s friend Paul and become close throughout the movie. As the summer camp begins its annual season, a series of murders start to happen that has everyone on edge. Who is committing these murders and what is the motive?

Jonathan Tiersten and Felissa Rose as Rickey and Angela in “Sleepaway Camp.”

Sleepaway Camp was a surprise hit at the box office. It grossed over $11 million dollars with a reported $300,000 budget. It has a huge following and Felissa Rose became a member of the “Scream Queen Sorority”. The movie is known for its infamous and controversial ending that still shocks the viewing audience today (It sure did shock me). People like to debate which was the better slasher film, this or Friday the 13th.

Right off the bat, Sleepaway Camp gets your emotions charged. You see the traumatic event that will shape the story and the character of Angela throughout the film. When you see Felissa Rose appear on screen for the first time she is quiet and reserved. She barely makes eye contact with her aunt and stays close to her cousin Rickey. The camp counselors (well…most of them) are aware that this is the first time Angela will be away from home and they give her sympathy and comfort to make sure she enjoys her time. Her unwillingness to socialize with her roommates nor participate in any camp activities draws the ire of Judy (Karen Fields), the supposed popular girl at the camp and Meg (Katherine Kamhi). Rose gives a cold frightening performance with her constant stare downs. It’s a very intimidating look although the rest of the counselors don’t feel intimidated by her. She doesn’t utter her first words until she is confronted by Paul, Rickey’s fried who attempts to engage in conversation with her. From there you see her shyness melt away as she spends more time with Paul.

Susan Glaze and Paul DeAngelo as the horrified counselors in “Sleepaway Camp.”

Besides Rose’s iconic performance, the other performances were good. Each actor and actress played their character as they were written. Jonathan Tiersten’s performance as Rickey was hilarious. He loves to stir up trouble through his trash talking and constant profanity. He does a great job protecting Angela. He’s like a big brother to her rather than a cousin. My other favorite performance is the camp owner, Mel played by veteran actor Mike Kellin, who sadly passed away before the film’s release. Mel does his best to keep his reputation by trying to spin what is happening to the people that are dying in the film. He has a hilarious scene where he appears wearing lime green pants and a yellow jacket in anticipation for a hot date. There’s also a small appearance from Robert Earl Jones as the chef, Ben. He is the father of legendary actor James Earl Jones.

The gore is minimal in comparison to Friday the 13th. The killer uses the surrounding environments to take out its victims one by one. You’ll notice a pattern of whom the victims are. You may think to yourself you already know who the killer is, but the movie uses a bit of trickery to throw off your assumptions. There is a small body count throughout the movie until the very end where the volume doubles.

Mike Kellin gets an arrow to the throat.

Sleepaway Camp balances the kills with some humor. There are plenty of hilarious moments throughout the movie including Rickey and his bunk mates playing tricks on one of their own, the male campers going skinny dipping and some funny mustache miscues. The cop in the movie has a mustache in his first appearance, but when he appears near the end, you can tell the mustache is fake and uneven. The reason for that being is the actor that played the cop had shaved his mustache off after he was done shooting his part but was called back due to additional shooting. Since he couldn’t grow one quickly in time, they had to improvise.

This is the only film writer and director Robert Hiltzik made. He made a career change and today he is an attorney in New York. For what it’s worth, he made a really good slasher film. It’s a movie with a ton of replay value that you can watch repeatedly. You don’t need to be watching it in the summer to enjoy it as it is a film you can watch in any season.

TRIVIA (Per IMDB)

  • The original artwork for the Sleepaway Camp Survival Kit boxed set, which included the unauthorized sequels, was recalled after complaints were made by the American Red Cross.
  • Some of the campers seen getting off the buses at the beginning of the film are relatives of the cast and crew.
  • Jane Krakowski, who played Cousin Vicky in National Lampoon’s Vacation was originally cast to play Judy.
  • Mike Kellin’s final film. He was sick during filming but did his best to conceal it from everyone and passed away in August 1983 from lung cancer, three months before the film’s release.
  • Willy Kuskin who plays the character of Mozart, one of the bullied camp boys, was genuinely bullied during filming. Frank Trent Saladino who played Gene, Mozart’s camp counselor, had to step in to protect Willy at times when the other members would take it too far.
  • Felissa Rose and Jonathan Tiersten developed a puppy love type romance during filming but broke up soon after.
  • Jonathan Tiersten was given the role of Ricky after an unusual audition where the writer/director, Robert Hiltzik, asked Jonathan to cuss him out.
  • As a child, writer/director Robert Hiltzik actually went to the camp which was used in the film.
  • One of the inspirations for ‘Weird Al’ Yankovic’s “Nature Trail to Hell,” along with Friday the 13th Part III (1982), referencing the cutting up of Cub Scouts and an ending you have to see to believe.

AUDIO CLIPS

Any Chips?
Young Fresh Chicken
Wait Until You See Judy
Meg – M.E.G.
She Were Any Quieter She Be Dead
Every Nerve In His Body Is On Fire
Shut Up Mozart
Eat Shit And Live
Getting Caught With Your Pants Down
Hey Bobbery Bob
Angry Lifeguard
Mel’s Rationale
Guess Who?
Makes Things Easier For The Killer
Mel Rants

Critters

Release Date: April 11, 1986

Genre: Sci-Fi, Horror

Director: Stephen Herek  

Writers: Stephen Herek (Screenplay), Domonic Muir (Story & Screenplay), Don Opper (Additional Scenes)

Starring: Dee Wallace, M. Emmet Walsh, Scott Grimes, Billy Green Bush, Nadine Van Der Velde, Don Opper, Terrance Mann

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Movies that came out in the 80s contained a diverse range of genres. We had horror movies, teen comedies, action packed film and the occasional monster movie. With the success of Gremlins in 1984, fledgling production company New Line Cinema looked to creating a movie similar in nature. With the box office success of A Nightmare on Elm Street 2, New Line Cinema got out of the red in their financial operation and had some money to invest in more projects. One of the projects that was green-lit to be a “sister” film to Gremlins was the movie, Critters.

Released in 1986 Critters is about a group of intergalactic hairball like creatures known by their species name “Krites” that escape from a prison asteroid and use a stolen spaceship to travel to the closest planet that contained the most life for them to feed their bellies, which is Earth. Desperate to stop the Krites from invading Earth and consuming all of its resources, the warden of the prison asteroid dispatches two bounty hunters to track them down and eradicate them. The Krites land in a field in a small town in Kansas called Grover’s Bend. The people of Grover’s Bend are their own characters. You have the Brown family who live on a farm, Charlie McFadden, the town drunk and Harv who is the easily annoyed Sheriff.  Jay Brown and his mischief son Bradley (Brad) head out to the field where they spot the ship crashing. They appear to find some of the herd dead with nothing left of them but their bones. Heading back to the house they encounter one of the Krites who bites several wounds into Jay as well as a poison needle that shoots from their backs, like a porcupine. The Browns become trapped in their home defending themselves against the Critters. Brad risks to find help and comes across the bounty hunters who have taken human forms. He directs the bounty hunters to his home where they see the Krites and begin a melee of destruction in order to kill them all.

The Bradley family along with Grover’s Bend Sheriff Harv.

Critters was a modest hit at the box office generating more that $13 million against a $2 million dollar budget. It would spawn three sequels, which one of them became the acting debut of an unknown kid would become an A- list actor named Leonardo Dicaprio (Critters 3). It was another franchise New Line Cinema had under their belt with their first being Nightmare on Elm Street. There have been talks of a remake, but I’m not a fan of remakes nor would I encourage a remake of this film. The films may look dated and silly, but they’re packed with enough gore and humor to keep your interests high.

The cast is a mixed of veteran character actors and some that are up and coming. The two popular names on the bill are Dee Wallace, who was the mother in E.T. plays the mother in this film and M. Emmett Walsh who has over two hundred credits to his name, is best known for playing a psycho in The Jerk and Harrison Ford’s boss in Blade Runner. Dee Wallace doesn’t do much except scream and cry through most of the film. Walsh plays Sheriff Harv as a short tempered man who feels the town is becoming a zoo. The film revolves around the performances of Scott Grimes who plays Bradley Brown, the younger of the two Brown children. He is mischievous and always getting into fights with his sister, April. He becomes the hero by risking his neck to escape his house surrounded by the Krites to find help.  Don Opper plays Charlie McFadden, the town drunk and close friend to Brad and believes alien life-forces are trying to communicate with him through his teeth fillings. Opper ends up playing a dual role in this film which he does a good job at. I’ll get to the dual part in a moment. Rounding out the central cast are the bounty hunters. They add just as much humor as the Krites do. The bounty hunters are named Ug and Lee (Ugly, get it?). They are faceless aliens and have transforming abilities. To “blend” in with the earthlings they may encounter, both of them look through a video of Earth and its history. Ug notices rock start Johnny Steele in a music video and transforms into him. Ug and Steele are played by Terrance Mann. Lee struggles to find a form to change into.  A recurring gag in the film is Lee changing into multiple people he encounters. He eventually settles on transforming into Charlie after an encounter with him in a bar. They carry giant cannon guns to blow up the Krites, but instead cause destruction at every location they step in. Even their boss pleads with them about being less destructive.  The bounty hunters would become staple characters of the eventual franchise as Mann and Opper are the only two actors to appear in all four movies. Critters includes small appearances from Billy Zane, who plays April’s new boyfriend, a city boy with a nice car and Lin Shaye of Insidious fame playing Sal the dispatcher.

The Bounty Hunters in “Critters.”

The real stars of the film are the Krites. They were created by the Chiodo Brothers (Stephen and Charles) who were known for Claymation, creature creation and puppeteering. They did a great job designing and moving the Krites. They’re described throughout the film series as “man eating hairballs”, which is true. However, they are very intelligent despite their limitations. They have red eyes, razor sharp teeth and needles that can shoot poison at their prey. They move with the speed and velocity of a cannonball. They crash land on Earth after escaping from a prison asteroid. While they repair the ship, they go off to look for food. They eat anything they come into contact with. The more they feed, the more they grow. You will see one of them in the film turn into a giant with the ability to walk upright like a human being. They come into contact with the Brown family and surround their home causing a Rio Bravo like standoff. The Krites are both scary and funny. There are some Three Stooges inspired moments they get into. One scene shows the Krites tearing up Brad’s room. One of the Krites is trying to communicate with a stuffed E.T. doll and when it doesn’t answer its questions, the Krite gets angry and bites his head off. Another funny moment is a Krite getting burnt by a small torch Dee Wallace uses and runs to the bathroom and jumps into the toilet.

This was the directorial debut of Stephen Herek who would go on to direct Bill and Ted’s Excellent Adventure, The Mighty Ducks and Mr. Holland’s Opus.  I think this is a solid debut and one of his best films in his short filmography.  He does some good things technically. For example, most of the film takes place at night, so Herek uses natural lighting from the moon and flashlights to create a dark tense atmosphere for the Brown family as they investigate what is going on. He also makes good use of the first person view for the Krites. The camera is hovered above the ground and moves stealthily when they’re in hunting mode and then in a racing mode when they’re attacking or trying to reach their prey. The film has its slow moments, but once the Krites appear, the action and the horror pick up and doesn’t end until the final explosion.

Krite

As I mentioned in the beginning this film is very similar in nature to Gremlins. I used the term “sister” film because that’s what it feels like. It doesn’t have Steven Spielberg’s name attached to it, but it’s still a fun monster movie flick. It’s simple so you don’t have to worry about trying to compound narratives or hidden messages or symbolism. It’s a movie where you can lay on the couch and absorb what is taking place. The sequels that followed this film have their good moments and bad moments (mainly due to the budget going way down and the distribution being limited). I would put this movie in my Top 100 80s Films of All Time.

TRIVIA (Per IMDB)

  • Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.
  • Terrence Mann performs the song “Power of the Night” as Johnny Steele especially for this movie.
  • This is the second movie (the other being E.T. the Extra-Terrestrial [1982]) with Dee Wallace in which her on-screen son heats up an oral thermometer in order to appear sick to avoid going to school. In E.T. she is fooled, but doesn’t buy it at all second time around in Critters [1986]
  • Don Opper and Terrence Mann are the only actors to appear in all four Critters films. Their characters, Charlie McFadden and Ug, respectively, appear in all four Critters movies.

AUDIO CLIPS

You Miss That Bus
Morning Harv
Charlie, It’s Jeff
I’ll Stand on the Fifth Amendment
What Are You Doing Up There?
Smells Like Oil Burning
Transform
Feeding Starts
Call Harv
What The Hell Are Those Things?
We Want The Krites
Keep Your Shirt On, Asshole
They Were Wearing Funny Clothes
I’m Not Reading You
Who Did Your Bring?
Swallowed My Chewing Tobacco

A Nightmare On Elm Street 2: Freddy’s Revenge

Release Date: November 1, 1985

Genre: Horror

Director: Jack Sholder  

Writers: David Chaskin (Screenplay), Wes Craven (Characters)

Starring: Mark Patton, Kim Myers, Robert Englund, Robert Rusler, Clu Gulager, Marshall Bell

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

In 1984 movie audiences were introduced to a new form of terror. They were introduced to a character who killed his victims in his dreams. They were introduced to Freddy Kruger in A Nightmare on Elm Street. It made over $25 million dollars in the United States box office alone and turned Freddy Kruger into a new horror icon. Despite the instant success which launched the careers of Wes Craven, Robert Englund and yes Johnny Depp, fledgling studio New Line Cinema didn’t make a profit off the film. They were still in the red and desperately trying to stay afloat. New Line Cinema Founder and CEO Robert Shaye decided to take a gamble and make a direct sequel to “Elm Street” in the hopes of creating some cash flow. Nearly a year after its initial release, New Line released the follow up film, A Nightmare on Elm Street 2: Freddy’s Revenge.

Instead of a direct continuation of the first film, the second film follows a whole new cast of characters, but the setting of Springwood, Ohio remained the same. The film focuses on Jesse Walsh, a new resident of Springwood who moves into Nancy Thompson’s old house along with his family. Shortly after moving in, he is visited in his dreams by Freddy whose goal is to takeover Jesse’s body so he can return to the physical world. The film was another financial win for New Line which got the return they were expecting plus more and thus a franchise was born. Despite the success, the film itself received mixed reviews calling it a weak retread of the predecessor and a rushed film that has poor acting, poor dialogue, and not enough scares.

I loved the original Nightmare on Elm Street film. Recently, I watched all the sequels in the franchise (except for the 2010 abysmal reboot). After a Saturday film festival at my home I started to evaluate the sequels. It was a mixed bag. Some of the sequels I enjoyed and some I didn’t. Part 2 was the one that really stood out for me for many reasons, which I’m about to get into.

The film is good technically. The picture seems to be grainy. Not sure if this is due to Jack Sholder trying to make a grittier version of the film. In the same documentary, Sholder admits that he wasn’t a fan of the first film and his objective was to not follow the template of the first film and make something completely different, which he did. Except for one scene, there aren’t that many creative kills that you saw in the first film or the sequels that will follow this one. The concept is bringing Freddy into the real world. You can’t do a lot of supernatural things in the real world (although coming into the real world for Freddy is supernatural). Like its predecessor, the cast is made up of some relatively unknown character actors with the exceptions of Hope Lange and Clu Gulager who played the parents. Both have a combined sixty years of acting experience. I felt each actor fit their roles perfectly, especially Mark Patton. It’s incredible who Patton beat out for the lead role (see trivia below). Looking at that list, Patton was the right choice. Although Patton had a few acting credits before doing this movie, this film is really an introduction of who Mark Patton the person is. The chemistry he had with Kim Myers who plays Lisa, his close friend and love interest is strong, and they balance each other out (Patton and Myers remain close friends to this day and travel to Horror Conventions together).

Mark Patton and Robert Englund.

The opening scene of the film is Jesse and two girls sitting in a school bus on his way to school. Suddenly the bus driver speeds up and plows through a desert where the ground begins to crack and sink and Freddy appears as the driver. This film tells you from this opening scene that Freddy is about to take Jesse for a ride and you the audience are going to be there with him. That opening shot is a credit to Sholder’s visual technique that you will see all throughout the film.

Nightmare on Elm Street 2 is regarded as “The Gayest Horror Film Ever Made.” And there’s truth to it. The film is known for its notoriously homoerotic subtext. You see it throughout the entire film from the characters to the props and the story. The writer of the film David Chaskin was working at New Line Cinema in another department and had written a treatment for a potential sequel that dealt with the paranoia of AIDS and homosexuality and incorporated Freddy Krueger as the disease. New Line Cinema chose his script and got the ball rolling on production. If you watch the series documentary Never Sleep Again, the crew from the film and even Robert Shaye talked about how they never intended it to be a gay film. Even director Jack Sholder didn’t admit that he didn’t have the self-awareness to believe that anything they were doing would be interpreted as being gay. One production designer said in best in the documentary, “We were all incredibly naïve or all incredibly latently gay!” I enjoyed this film due to the fact they were able to take a real issue in society and create a narrative that was shocking and scary.

The film primarily focuses on Jesse and Freddy’s relationship to each other. Mark Patton, who plays Jesse in the film was openly gay in real life (although he had not mentioned it to anyone on the set) and incorporates the struggles of his sexuality into Jesse. Jesse becomes attracted to both his male and female close friends in Lisa and Ron Grady. Lisa is obviously attracted to Jesse, but throughout the movie, Jesse seems timid and shy around her, but when it comes to Grady, he instantly clicks to his bad boy persona (which most girls in society today seem to be attracted to). Meanwhile Freddy is trying to convince Jesse to kill for him. Freddy represents the self-hatred that one might have of the thought that they may be homosexual. Robert Englund does a brilliant job of using seduction and manipulation to get to Jesse and use him for his own desires. This is relatable to what is going on in society today with the sexual abuse allegations and the Me Too movement. Men using methods of persuasion to get to the body of a woman.  The victims in the movie are a threat to Freddy in a way that is considered jealousy. He is removing obstacles so that no one interferes with Freddy’s impending host. Finally, the sequence of Freddy tearing through Jesse’s body can be interpreted as Jesse “coming out”.

Mark Patton slowly transforming into Freddy Krueger.

The props and scenes in the movie heightened the narrative. When Lisa is helping Jesse unpack his belongings and puts some things in his closet, you can see a board game titled “Probe”.  In Jesse’s room he has a sign on his front door that says, “No Girls Allowed”. I don’t think you see a lot of teenage boys have that kind of sign in their room. In one of the night sequences when Jesse is getting out of bed, it is so hot in his room you can see his candle melting and shaped like a part of the male genitalia. If you look closely in the shower scene, the shower heads are phallic shaped. In the scene where Coach Schneider is attacked by presumably Freddy, tennis balls are popping out of their cans, Schneider is tied up in the shower by jump rope and flying towels begin to snap at his bare bottom. There was something Freudian going on in that scene.

Finally, Nightmare on Elm Street 2 has a fairy tale side to it, which involves Jesse and Lisa. Because she is in love with Jesse, Lisa is trying to save him from Freddy but doesn’t know how. She pleads with Jesse to let her help him, but he pushes her away. When he transforms into Freddy and escapes, she chases him down and continues to plead for him to come back to her. In a ‘Beauty in the Beast’ moment, she says she loves him and the beast (being Freddy) dies and out of the ashes comes the beauty (Jesse). They hold each other in their arms and embrace that their nightmare is over….or is it?

Kim Myers gives a fairy tale kiss.

To recap, I strongly affirm my opinion that Nightmare on Elm Street 2 is the strongest of the sequels in the Nightmare franchise.  Unlike the latter films which were comical and cartoonish, this film feels real and authentic. This movie still holds up thirty five years later and it is a social film that can be explored, enjoyed and talked about for many decades to come. I would also recommend checking out the new documentary about Mark Patton and his experience on Nightmare on Elm Street 2 titled Scream Queen: My Nightmare on Elm Street, which is currently streaming on Shudder.

TRIVIA (Per IMDB)

  • New Line Cinema originally refused to give Robert Englund a pay raise, and an extra was cast as Freddy at the start of production. The extra appears in the shower scene where Jesse turns into Freddy, He simply wore a rubber mask and moved like “Frankenstein”. After two weeks of filming, director Jack Sholder convinced New Line Cinema CEO/Founder/Executive Produce Robert Shaye that this was a terrible lapse in judgment, and Shaye met Englund’s demands to return for the sequel.
  • The only “Nightmare” film in which the lead character is male.
  • Mark Patton beat out Brad Pitt and Christian Slater for the role of Jesse.
  • Apart from Robert Englund, this is the only film in the franchise to neither feature an actor from a previous film, nor have one return in a sequel.
  • New Line Cinema CEO/Founder/Executive Robert Shaye wanted to play the character of Grady’s father. However, director Jack Sholder told him that he “Needed a real actor to play that role.” Fearing that he would be fired after the comment, Sholder cast Shaye as the bartender in the S&M Bar that Jesse visits in the film.
  • Special Effects man Rick Lazzarini created a “demonic parakeet” puppet for the scene in which the Walsh’s pet bird flies around and explodes. His puppet was not used because the filmmakers wanted to use a regular looking bird.
  • Kevin Yagher replaced David Miller as the makeup effects artist. Studying pictures of burn victims, Yagher redesigned Freddy’s look to bring out the facial bones and more scaring. He would go on in his career to create the Chucky doll in the “Child’s Play” franchise.

AUDIO CLIPS

FU Man Fingers
Nice Ass
Assume The Position, Dirtballs
The Deadly Dinosaur
We’ve Got Special Work To Do Here
Jesse Screams
If You Want To Play With Animals
Do You Remember Your Dreams?
How Do You Like That, Dad?
Grady Talking With His Mouth Full
Shut Up, Grady
What That Boy Needs
Something Is Trying To Get Inside My Body
He’s Inside Me
Turn Down The Heat
You Are All My Children Now

Escape From L.A. Collector’s Edition Blu-Ray Review

New Artwork Cover for Collector’s Edition of “Escape From L.A.”

While the COVID-19 pandemic may have put movie theaters on hold, it’s not stopping video companies from releasing new titles for fans to own. Shout Factory is no exception as they continue to release new Collector’s Editions of movies. This week they released a new title in their growing John Carpenter library starring one of his most iconic characters ever written for film. I’m talking of course about antihero Snake Plissken as he goes from the Big Apple to the City of Angels in the 1996 film “Escape From L.A.!”

“Escape From L.A” was pretty much a remake/retelling of the first movie. Set in 2013, Snake is once again captured and is tasked by the government to rescue the rogue daughter of the President of the United States whom is in possession of a device that could obliterate the world. The film was known for its near shot for shot resemblance of its predecessor complete with a big named cast for the time and dated effects. It’s $50 million budget was the biggest ever for a Carpenter movie. The film released to mixed reviews from critics and fans and recuperated half of its money at the box office.

Kurt Russell returns as Snake Plissken in “Escape From L.A.”

Shout Factory’s new Collector’s Edition of “Escape From L.A.” restores the film in 4K using the original negative and includes several new interviews with the cast and crew along with the Theatrical Trailer all in a special box with a reversible cover sleeve. Shout Factory continues to impress me with its original artwork. The color scheme made the film look bold and futuristic. As I do with all the Collector’s Edition movies from Shout Factory, I reverse the cover art on the Blu Ray box so I have the original art on the box and the official theatrical poster inside the Blu Ray sleeve. It’s a habit of mine, but I do it out of appreciation as I reflect on the film’s origins and its revival.

Reversible Cover Sleeve Features The Original Poster.

 I just finished watching the film. Although I do not have a 4K television the transfer of the film is slick. The colors and the lighting of the movie really come out onto the screen. One thing I was clearly looking for while watching this was how the cheap effects of the original print would look on this new transition. The scene where Snake travels to Los Angeles via submarine looks smoother and hides away some of the dated CGI. Another scene that improved from its previous theatrical and video counterparts is the motorcycle chase scene where Snake jumps onto a truck. That scene was cleaned up to make it not look like an obvious blue/green screen scene. While these are much wanted improvements, there are some scenes that still stick out like sore thumbs. The infamous surfing scene looks glossy and colorful but does not hold up. Overall, it was great revisiting this movie even if it’s nothing more than a doppelganger of its predecessor.

As for the bonus extras, there are a total of six new interviews featuring certain members of the cast and crew. The interviews feature Stacy Keach, Bruce Campbell, frequent Carpenter actor Peter Jason, Cuervo Jones himself, George Corraface, Special Effects Artist Jim McPherson and Visual Effects Artist David Jones. The Stacy Keach interview is rather short but talks about his relationship with John Carpenter and how he approached his character of Commander Malloy. He does talk about a personal moment on the film that changed his life, but I won’t spoil it. The Bruce Campbell interview is an audio only interview with clips of his performance and stills of the makeup he had to put on for his character. He provides some great insight on his experience doing film which was contrast from Stacy Keach’s experience. The interview does sound dated as he mentions that he recently worked with Kurt Russell again on “Sky High” (which came out in 2005). Peter Jason, George Corraface, Jim McPherson and David Jones have the longest interviews and they all talked about their background, previous jobs and how they joined the project. I have to say the McPherson and Jones interviews were my favorites because they had some great stories on set as well as how they approached their roles.

Kurt Russell and Peter Fonda in “Escape From L.A.”

The biggest disappointment from this Collector’s Edition release is there are no audio commentary tracks for the movie. I love audio commentaries and I put them on during my second viewings of a new release. It would have been great to have John Carpenter reflect on making the film and how he feels about it today. If they couldn’t get Carpenter to do a commentary, they could’ve gone after anyone else from the cast and crew. I’m surprised they didn’t ask any of the interviewees to provide a commentary on their experience and stories.

Once again Shout Factory does an impressive job of bringing a cult classic back to life and in the best format possible. Unlike The Surgeon General of Beverly Hills who botches his patients and requires numerous organ transplants, the facelift of this film is a success. Even if you don’t have a 4K television, you’ll be in awe at its look and the bonus extras and packaging give you the full experience of enjoying Snake Plissken’s next adventure. The Collector’s Edition of “Escape From L.A” is a great addition to their ever-growing library of John Carpenter films.