Bill & Ted’s Bogus Journey

Official Poster

Release Date: July 19, 1991

Genre: Adventure, Comedy

Director: Peter Hewitt

Writers: Chris Matheson & Ed Solomon

Starring: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Acklund

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

In 1989 movie audiences were treated to a new original concept adventure movie about the fate of the future lying in the balance of two high school musicians passing their history exam. That movie was called Bill & Ted’s Excellent Adventure. It was a surprise success that not only launched Keanu Reeves into a mainstream star, but it also spawned a cartoon show and two sequels including 2020’s Bill & Ted Face The Music. For this review I wanted to look at the second film in this newly formed trilogy, which coincidentally is reaching the big 3-0 milestone! I’m talking of course about Bill & Ted’s Bogus Journey!

The movie takes place five years after the events of the first movie. A man from the future by the name of De Nomolos (Joss Acklund) has created two evil robot versions of Bill & Ted and sends them back to their time to disrupt the next phase in their destiny, which is winning the Battle of the Bands and being one step closer to the Wild Stalyns changing the world with their music. The present day Bill & Ted continue to struggle at being good musicians, even with the help of their other band members, their girlfriends they rescued from 15th Century England. They encounter their evil doppelgangers when they arrive at their apartment and tell them that they are here to help solve their problems. Instead they take Bill & Ted to a desert and throw them off a cliff killing them. Now in a state of limbo, Bill & Ted must figure out a way to come back to life and stop the evil robots from accomplishing their mission. After two failed attempts at warning their parents about what happened, they are banished to Hell where they go through trials from their childhood until they are confronted by the Grim Reaper (William Sadler) who states they can return to the physical world if they beat him in a contest. After defeating Death in a contest……or in the case several contests, they go to Heaven and ask God for assistance in beating the evil robots. They are directed to a creature named ‘Station’ who is considered the most brilliant scientific mind in the universe. With Station’s help, they create two good Bill & Ted robots to counter the evil robots. They return to earth just as the Battle of the Bands begin and engage in a confrontation with the evil robots and De Nomolos for the fate of the future.

Alex Winter and Keanu Reeves in “Bill & Ted’s Bogus Journey.”

The sequel was as successful as the first movie, but fans are divided as to which of the two movies was better. Some fans believe Excellent Adventure was the superior of the two. Other fans believe Bogus Journey was the better film. After watching the film, I think Bogus Journey is on equal footing to its predecessor. . I would use the analogy in another Keanu Reeves movie, The Matrix to describe the two. They are two radically different films, but when they are put together they equal out. It’s a great idea to go from Bill & Ted having a positive and “Excellent” adventure to having a negative and “Bogus” journey, hence the equal concept.

The story is good although I think the script could’ve been fleshed out a little more and could’ve used a better third act. Reading the Behind the Scenes of this movie, writers Chris Matheson and Ed Solomon admit that the original third act was ripped up and they were struggling to come up with an act that would satisfy viewers and bring the story of Bill & Ted full circle. I’m not sure what the original third act entailed with the exception of a trivia note at the bottom. With the exception of a few returning characters the only other reminiscence of the first film that are shown in the second are the phone booth which is found in only a few scenes and you get a glimpse at the future where is a harmonious utopia thanks to the protagonist and their music.

The only returning characters in the second film are Bill, Ted, Ted’s father, Missy and George Carlin, who reprises his role as Rufus, although his role has shrunk from the first film. All the other characters are new. Keanu Reeves and Alex Winter play dual roles as not only the dim witted heroes, but the evil robot versions of them. The evil robots are stronger and smarter, but they are programmed to speak and act just like their human counterparts which I found funny. Their master DeNomolos, played by legendary character actor Joss Acklund I found to be a very weak villain as he appears only in the opening scenes, a few scenes where he is checking up on the robots’ statuses and the final confrontation. Not much is known about DeNomolos other than the fact he was Rufus’ old teacher and that he despises the society that Bill & Ted have created and goes on a crusade to destroy them so he can reshape the future into his ideals, which could be perceived is having a Marxist ideology. Acklund didn’t have much to work with and his acting and body language gave me the impression that he didn’t want to be in this movie, which is a shame. I’m sure he was thinking to himself, “How do I go from playing an evil South African diplomat in “Lethal Weapon 2” to playing a villain having to babysit two robots in Bill & Ted’s Bogus Journey? I guess we’ll never know what his mindset was. 

Joss Acklund in “Bill & Ted’s Bogus Journey.”

The real star of the film and without question the best performance goes to William Sadler who plays the Grim Reaper. His portrayal of Death starts out serious and then goes completely one eighty when he spends more time with the heroes. When Death first encounters them just as they died, he is prepared to take them into the afterlife, but they distract him and give him a “Melvin” in order to escape. It’s only when they are in Hell that they summon Death and accept his challenge of playing him in a game to return to Earth (I won’t tell you what game or games they play, but they were my favorite scenes of the film). When Death joins Bill & Ted he becomes more of a nuisance rather than a helper. He’s always looking attention and feels left out when Bill & Ted don’t give him credit for things that he supposedly did. The accent Sadler uses is Slovakian which gives him range and power, but also makes it funny especially when during his angry outburst moments in the film.

As far as the rest of the film in terms of special effects and settings, it’s interesting to see the film’s vision of the future where everyone wears highlighter colored clothing which reflects well with the lighting in their classrooms. You see a small glimpse of Evil Bill and Evil Ted pulling their skin off to reveal their robot form which is colorful and high tech for the time and the vision of Hell in the film is depicted as a never ending industrial corridor with infinite doors and the Devil instructing the damned to “Choose their Eternity”.

Alex Winter, William Sadler and Keanu Reeves in “Bill & Ted’s Bogus Journey.”

Bill & Ted’s Bogus Journey is one of the few sequels out there that matches up to its predecessor. Matheson and Solomon rolled the dice and took their chances of not repeating the same concept of the first movie and it paid off. Watching it again after all these years, it holds up strongly in comparison to other sequels that came out in the early 90s.

Trivia (Per IMDB)

  • The guitar solo before KISS’ “God Gave Rock And Roll To You”, is performed by guitar legend Steve Vai. The footage had already been shot, and the world premiere was a week away, when he was asked to do it. He also contributed various music in the film, including “The Reaper Rap”, which features on the end credits.
  • When Bill and Ted go to Missy’s séance, you can see Chris Matheson and Ed Solomon, the creators and writers of Bill and Ted. They’re the only men that are attending the séance. (Chris is the guy with the white shirt, and Ed is the guy with the glasses.) They also say “Ed and Chris rule the world” backwards
  • The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.
  • The “Riddance of Evil” book that Missy uses to send Bill and Ted to Hell, is actually a re-dressed copy of the Stephen King short-story collection “Four Past Midnight.” She opens it to a page in the story “Secret Window, Secret Garden,” which can be read clearly in a few frames of the film.
  • During the séance scene, the chant to send Bill’s and Ted’s spirits, can be read backwards as “Ed and Chris will rule the world.” Ed Solomon and Chris Matheson being the movie’s scriptwriters.
  • The mountain, to which Bill and Ted are brought to be killed by the evil robots, is the same mountain Captain Kirk climbs in Star Trek: Arena (1967), which Bill and Ted watched in their apartment.
  • Joss Ackland said in a Radio Times interview, he only did this project, because of a bet between him and a family member
  • In a deleted sequence, the Evil Robots use devices to re-create Bill’s and Ted’s’ personal Hells (Granny Preston, the Easter Bunny, and Colonel Oats) and send them after the heroes. Bill and Ted end up having to face their fears to get rid of them. Bill gives Granny her kiss on the cheek, Ted calls his brother and apologizes for stealing his Easter candy, and both boys treat Oats with kindness and friendship rather than terror.
  • Director Peter Hewitt has a cameo in the film. He plays the smoker in the Builder’s Emporium to whom Death says, “I’ll see you soon.” In the cast credits The Smoker is credited as “Max Magenta”.

AUDIO CLIPS

Total Metalheads
Catch You Later, Evil Dude
Girls Mature Faster
I Can’t Believe Missy Divorced Your Dad
Most Excellent Adventure
Robot Chubby
Meeting Death
I Totally Possessed My Dad
What’s Gotten Into You?
Deep Hole
Not What I Expected
Yes Sir Dude Sir
Don’t Fear The Reaper
I Hate Them
What Is The Meaning of Life?
Logan Residence
See You Real Soon
Reaping Burns A Lot Of Calories

Fatman: Blu-Ray Review

Official Box Art

Due to the COVID-19 pandemic, the holiday movie season was a quick breeze with little to no new releases to celebrate the most festive time of the year. One notable release was definitely not for children. The dark comedy flick Fatman stars Mel Gibson as a frazzled Santa Claus who is fighting to save his business of making toys and delivering them to children all over the world. Unbeknownst to him, a neglected and spoiled rich twelve-year old boy hires a hit man (played by Walton Goggins) to kill Santa after receiving a lump of coal for Christmas. Fatman was originally slated to release in theaters but ended up being released on numerous streaming platforms including Amazon Prime and On Demand. The movie received mixed reviews with many people describing the film as a wintery spaghetti western with solid performances from Gibson and Goggins.

For fans of the film or if you missed out during its initial release you can now see Gibson’s take on a cranky, crusty and not so jolly Saint Nick with the Blu-Ray release of Fatman. Not only do you get the Blu-Ray of the movie, but it comes with a Digital Code that you can send to your friends so they can watch it on a home device. In addition, the Blu-Ray features several extras including Deleted and Extended Scenes, Storyboards to Film and an Audio Commentary featuring the writing/directing Nelms brothers, Eshon and Ian, Producer Michelle Lang, Director of Photography Johnny Derango and of course the star of the film, Mel Gibson.

Mel Gibson as Santa Claus in “Fatman”

I’m not going to go deep into a review of the movie itself to avoid spoilers. This review involves the overall look and presentation of the Blu-Ray release. Right away I noticed how clean and the picture looked on my television. Your eyes will be treated to the beautiful settings where Fatman takes place. The majority of the movie was shot in Ottawa and the farm that is used as Santa’s base is a real farm where it has been owned through twelve generations of Canadians. The Nelms Brothers make great use of natural lighting to give that wintry look and feel. Every shot in the movie is crisp and the performances add to the emotion that is in the scene. The production team did an amazing job of creating a cold gritty world where the magical season of Christmas is losing its luster. You’ll get excited with every scene involving Gibson and Goggings as they give opposing performances but organically weave in the comedy to not make it too dark and depressing. The story itself is original and innovative as this is a take on Chris Cringle no storyteller would dare to write.

The sound of Fatman is mastered in Dolby Audio. If you have a great surround system or soundbar you’ll be hearing every little detail that is in the movie. You’ll hear the diverse soundtrack that won’t drive you crazy with endless Christmas tunes. You can even hear the breath coming from Walton Goggins during one scene in the film. The sound of the gunshots during the climactic battle scene are sharp and make you feel like you need to duck and cover behind your couch. Kudos to the sound designers for creating the right pitch and tone to add another layer of the film.

Walton Goggins as The Hitman

While the extras are skim, I’m always excited to read that there is an Audio Commentary for the home release of a film. When you watch Fatman with the Audio Commentary turned on you will hear right away that the participants are recording using Zoom or another online chat site (due to COVID restrictions). I enjoyed listening to Eshom and Ian Nelm’s approach to telling this story and all the decisions that were made from lighting to setting and casting. I’m not familiar with any of their previous work, but this film was a solid first impression for me. It’s great to hear Mel Gibson talk about his approach to Santa and how much fun he had working on this movie. He cracks jokes and at times bummed out when certain lines or scenes were taken out because they were too cheesy. The commentaries are insightful and informative. There was no pause to take a drink of water or catch a breath with this crew. The Storyboard extras will appeal to those who have an interest in how a movie is presented and how the shots will be scheduled. As for the Deleted and Extra Scenes they don’t offer anything that enhanced the movie, but rather gave you an extended look at a scene. These cuts were appropriate given the quick pacing of the movie.

Overall, the Fatman Blu-Ray edition is a nice present give to yourself or to a friend or family member who may enjoy this unique take of a dark comedy holiday film. It’s reasonably priced and has just enough to keep your entertainment level fat and jolly.

Santa Doing Some Target Practice

National Lampoon’s Senior Trip

Official Poster

Release Date: September 8, 1995

Genre: Comedy, Adventure

Director: Kelly Makin

Writers: Roger Kumble, I. Marlene King

Starring: Matt Frewer, Jeremy Renner, Valerie Mahaffey, Lawrence Dane, Tommy Chong

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

National Lampoon was a well-known humor magazine that ran from 1970 to 1998. The magazine formed as a spin off of Harvard’s Harvard Lampoon. The magazine was popular in the 1970s and spawned a series of comedy movies that included their title. The most famous of their films include Animal House and the Vacation movie series starring Chevy Chase. At the turn of the century, National Lampoon started a corporation and generated low budget raunchy comedy films that you would only be able to find at your local video store (which are unfortunately extinct) or streaming services. One of the last National Lampoon films to be released in theater’s was 1995’s National Lampoon’s Senior Trip.

It’s a typical teen comedy with a realistic plot. The students at the fictional Fairmount High School in Columbus, OH write a letter about how bad the education system when several students blame school for not wanting to learn and party all the time. The letter reaches the desk of the President of the United States who phones their Senator and personally invite them to Washington D.C. to help support the President’s new Education Bill. Despite the Senator having his own Education Bill lined up and seeking higher office, he intends to use the ‘slacker students’ to embarrass him and push his own agenda. The Senator arrives at the school and instructs their principal, Todd Moss (played by Matt Frewer) to get them to Washington on time. The road trip doesn’t go as smoothly and on schedule as the students get themselves into crazy shenanigans on and off the bus.

The students from Fairmount High School

I remember seeing the trailer for this movie on the VHS copy of Dumb and Dumber. I was a pre teen when I saw the trailer and it looked like a pretty funny movie. Unfortunately the movie was rated ‘R’ and I had strict parents who would not let me watch anything that above a ‘PG-13’ rating. Eventually the film made its way onto the small screen and I watched it on my local channel. I watched it with a friend and we enjoyed this movie. A decade later, I found this movie on DVD at a local store where I buy all my movies. Not surprising to this review, the movie still holds up.

This film relates to the experiences we went through in High School (although I’m sure none of you stole a bunch of beer from a mini mart, break stuff at a five star hotel or having your bus driver die on the way to Washington). You can relate to any of the character that best fit your personality in high school. If you were a computer nerd, you were the character Virus. If you were a straight A scholar, you were either Steve or Lisa. If you were a vengeful Trekkie, you were Travis. One thing these characters have in common is they like to party and they get along real well in this film (unlike real world where you were in your groups). There are some scenes of drugs and sex, but it’s only a pinch of it compared to most of the other National Lampoon movies or other teen comedies.

Matt Frewer as Principal Moss

I thoroughly enjoyed the performances of each character. All of them had great chemistry together. Each character had their own standout moments. Matt Frewer’s portrayal of Principal Moss reminds me of a real life Principal McVicker from Beavis and Butt-Head. He’s very spastic, agitated and punctual and finds himself in uneasy situations. This movie was the feature film debut of Jeremy Renner. He plays the leader of the class named Dags who is a stoner and the vigilante of the school. His antics are praised by many and loathed by some. Then there’s Kevin McDonald who plays Travis, the school crossing guard and an obsessed Star Trek fan. He lives in his basement that is built to replicate the enterprise, carries around a blow up doll dressed like Uhura and he is obsessed with seeking revenge on Reggie (Dag’s sidekick). With the exception of a confrontation in the movie, there’s no explanation as to why Travis is out to kill Reggie. It’s funny seeing him trying to get to Reggie, but ends up being caught in an unpleasant scenario when things start happening to him. He talks to himself and only speaks in Star Trek language. I can relate to that because I’ve known quite a few people that were serious Trekkies.

The best performance by far is Tommy Chong as Red, the bus driver. In pure Tommy Chong fashion, he steals every scene he is in. He blends in with the students and praises them for their mad partying habits.

Tommy Chong as Red

This film manages to bring up a moral issue at the end. They talk about the importance of education for future generations. It’s funny how the students define themselves as the poster children of slackers and losers with no future as a way to get their message across. This film came out in 1995 when Bill Clinton was pushing for a better education program for kids in America. Maybe he watched this film to help advance his narrative? (Wouldn’t surprised me if he did.)

Senior Trip is one of the most underrated teen comedies to come out in the 90s. It may not be the cream of the crop in the National Lampoon film library, but this has enough chuckles to keep you entertained.

TRIVIA (Per IMDB)

  • Film debut of Jeremy Renner
  • The bus driver “Red” played by Tommy Chong hums the tune, and sings some of the lyrics, from the song “Earache My Eye”, which was the song that Chong and Cheech Marin play at the end of Up in Smoke (1978).
  • Wanda and Reggie discuss a crossover between horror icons Freddy Krueger and Jason Voorhees. This eventually happened in Freddy vs. Jason (2003).
  • Dag’s first name is never mentioned. But when Lisa is listing his good qualities vs. his bad qualities, it is seen at the top of the paper. Mark.

AUDIO CLIPS

No One Here
Van Damage
You’re Gonna Wake Up
Good Day To You Asshole
Travis The Star Trek Nerd
Mr. Spock, Your Analysis
The Magic Bus
Reggie
Open The Door
Bus Sick
Follow That Bus
Can I Buy Some Off You?
You Guys Know How To Party
You People Don’t Deserve Kennedy
How Did You Know I Like Chocolate?

Brain Damage

Official Poster

Release Date: May 25, 1988 (France)

Genre: Horror, Comedy

Director: Frank Henenlotter  

Writer: Frank Henenlotter

Starring: Rick Hearst, Gordon MacDonald, Jennifer Lowry, Theo Barnes, Lucille Saint-Peter, John Zacherle (Voice/Uncredited)

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

I’ve been wanting to do this review for a very long time. This happens to be one of my favorite Horror/Drive In/B Movies of all time. It was done by the great Frank Henelotter, who did the Basket Case trilogy (See my review of the first Basket Case movie for Halloween) and Frankenhooker. What’s great about Frank is that he’s only made a half dozen movies, but they’re all creative, original and super fun to watch. I rather have a filmmaker I like make six great movies than a filmmaker like Ridley Scott, who’s made fifty plus movies and thirty-five of them are forgettable. So, without further ado, here is the review for Frank’s 1988 movie about drug addiction in a creepy, funny style titled Brain Damage!

The movie is about a guy named Brian who is laying in bed feeling sick. When he gets up, he notices blood on his pillow all the way down to his bedsheet. He feels the back of his neck which is also bleeding. Unsure of what happens, he lays down again. Suddenly, he starts going on a psychedelic trip where he sees bright lights and colors. Knowing that someone or something is causing this, he asks for this person to reveal themselves. From behind his neck appears a long black/bluish phallic looking parasite named Aylmer (pronounced Elmer). Aylmer reveals to Brian that he has a juice in his body when injected directly into the brain will give the person a euphoric feeling. Brian starts to get addicted to Aylmer’s juice which causes him to isolate himself from his girlfriend, Barbara and his brother, Mike. As Brian goes around town dancing and living it up with this aura in his brain, unbeknownst to him Aylmer kills anyone near him and eats their brain. Brian is eventually confronted by an elderly man named Morris, who was Aylmer’s former host and warns Brian that Aylmer is looking to take over him and by continuing to be on his juice, his brain will continue to turn into mush and become dinner for the hungry parasite. Brian must find a way to get control of himself before he becomes Aylmer’s next victim.

Rick Hearst in “Brain Damage”

As the title suggests, the movie is about drugs, drug addition and the effects it has on the person taking them and their loved ones. According to Frank Henelotter, he came up with this idea after having a bad trip taking cocaine. Henelotter makes a visually compelling monster movie with a strong message. He takes the audience for a ride through the mind and body of a junkie. You go through the highs (pun intended) and the lows of the character. In between the movie you’ll be caked with blood, gore, brains and some dark humor.

Let’s start with the acting. The film is primarily focused on the two characters of Brian and Aylmer. Rick Hearst plays the protagonist, Brian. This was his first movie and does a dang great job of playing Brian. You don’t know much about Brian in terms of what he does for a living, where he came from. Brian gets easily manipulated once he starts getting high which can be common among addicts. When he goes on his trips, he’s very child like as he’s amazed by the colors and lights around him and how he can feel the music. Hearst plays a convincing addict through his physical appearance, his facial expressions and the hallucinations he sees. You’ll laugh, cry and be horrified by what he goes through. Next, you have Aylmer, who is voiced by the great John Zacherle (AKA Zacherle the Ghoul). If you’re not familiar with Zacherle, he was the host of ‘Shock Theater’ back in the late 50s/early 60s when NBC would play the Universal monster movies on television. Zacherle’s voice is soft and sweet which he gives to Aylmer. Aylmer’s voice is soothing to Brian which makes him feel calm around the devious creature. Aylmer is smart in not revealing his intentions to Brian until a crucial scene in the film. He has the characteristics of a snake. He slithers and sneaks around when in hiding but strikes quickly when he is ready to attack. The great use of stop motion animation, puppetry and Zacherle’s voice makes Aylmer one of the best movie monsters I’ve seen in a long time.

Scene From “Brain Damage”

Like his first movie Basket Case, Brain Damage has a similar look and style to it. It’s shot on 35MM film. The atmosphere is gritty as you follow Brian through the various locations in an inner city. Henelotter fills every scene with as much detail to look at. No shot is hollow. You’ll be immersed by the transitional shot of Brian looking up at his ceiling fan which slowly morphs into an eyeball, or the blue colored water which fills up his bedroom as he slowly submerges into it. And like his previous film, there is enough blood and gore to make you squeamish. The most powerful scene in the movie (at least to me) is the confrontation Brian has with Aylmer in the bathroom at a cheap motel. After Aylmer reveals that he needs brains to stay alive, Brian refuses to go along with it and will no longer ask to get high which prompts Aylmer to challenge him that if he doesn’t get a brain, then Brian can’t have his juice. Brian agrees thinking he’ll easily win. There are several dissolve shots of Brian going through severe withdrawal symptoms that are common in addicts who haven’t gotten a fix or are detoxing. Each fade away shot shows Brian in more agony than the previous. On top of that you have Aylmer who gleefully taunts him which doesn’t help the situation. It’s heartbreaking to see Brian struggle, but it shows how powerful drug addiction is.

I’m not certain what the budget was for this movie, but Henelotter has always worked with a very small budget. He squeezes every dollar in his budget and this movie is no exception. The visuals and special effects work are so impressive that you don’t believe this was done on the cheap. I’ve always believed that you don’t need hundreds of millions of dollars to create a great movie. If you have the right story and actors and if the filmmaker can generate a coherent story, then you’ve got a great movie.

Aylmer (Voiced by John Zacherle)

Brain Damage ranks very high (no pun intended) on my all-time favorite movies. More than thirty years later, this movie is completely relevant to the issues of drugs and addiction that we face in our world today. This movie gives you a dark, gory and comedic tale of one who succumbs to drugs. While this movie is not kid appropriate, I believe is a good movie to scare straight anyone who thinks drugs are cool. After watching Brain Damage it will make them think twice before doing something that will give them a short ride, but a long wreck in the end.

TRIVIA (Per IMDB)

  • During the fellatio scene the crew walked out of the production refusing to work on the scene. A similar incident happened during the shooting of Basket Case (1982).
  • Brian has an unexplained cut on his lip all throughout the film. It was a part of a subplot involving him getting into a fight the night before defending his brother in a bar fight. But due to time restraints the explanation scenes were never filmed.
  • In a 2016 interview, Frank Hennenlotter said one of his favorite things about shooting in 35mm was that he couldn’t misplace the camera as easily as he did with the 16mm camera he used on Basket Case.
  • Film debut of Rick Hearst.

AUDIO CLIPS

These Are Beautiful
Could We See Your Bathroom?
Start of Your New Life
Brian’s High
A Bit Underdone
Things Are Really Getting Weird Around Here
Nothing That Simple
Not Elmer, Aylmer!
Forgot Your Buckets
When It Comes To Blood In My Underwear
Aylmer’s Tune
I’d Be Happy To Help You
The Whole World’s Gonna Come To An End
What’s Your Problem Man?
Yoo-hoo!
Put Me On Your Neck

The Rookie

Official Poster

Release Date: December 7, 1990

Genre: Action, Comedy, Crime  

Director: Clint Eastwood  

Writers: Boaz Yakin, Scott Spiegel  

Starring: Clint Eastwood, Charlie Sheen, Raul Julia, Sonia Braga, Tom Skerritt, Lara Flynn Boyle

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Hello, readers! Happy New Year! I apologize for being absent the last couple months. I took a short hiatus from writing to clear my head and get refreshed for the new year. I’m going to dedicate more time on this blog for movie reviews on top of other writing projects that I have planned. Thank you for being a loyal reader and I hope you enjoy the collection of movies that we’ll be looking at in 2021!

While Buddy Cop movies have been around since the dawn of film, they didn’t start becoming commercially successful until around the seventies. Some of the more memorable duos include Richard Pryor/Gene Wilder, Mel Gibson/Danny Glover and in today’s Buddy films, you could argue Kevin Hart/Ice Cube or Jonah Hill/Channing Tatum. Then there are those that didn’t pair well like Chevy Chase/Jack Palance, Jay Leno/Pat Morita, Burt Reynolds/an eight-year-old boy. As the nineties began, you saw more offbeat pairings. One of those offbeat pairings included Hollywood legend Clint Eastwood and Hollywood Bad Boy Charlie Sheen (Yeah never in a million years did I think that would be possible). Both appeared in the 1990 film The Rookie.

Like all Buddy Cop movies this movie focuses on two cops with quite different and conflicting personalities who are forced to work together to solve a major crime. Sheen plays David Ackerman, a rookie cop who is assigned to the LAPD’s Robbery and Auto Theft Division. He is partnered with Eastwood’s Nick Pulovski, a rough wisecracking Sergeant Detective who uses tactics against police procedures to get what he needs to put the bad guys away. David gets thrust into Nick’s case involving a car theft ring that is run by a man named Strom, played by the late great Raul Julia. In addition, Strom is responsible for killing Eastwood’s original partner. Throughout the film, David gets cold feet when it comes to helping Nick. It’s attributed to not only his family background, which he comes from money and power as portrayed in a dinner party scene, but also a post traumatic episode involving the accidental death of his brother when they were children and feeling responsible for it. During a tip from an illegal wiretap, Nick and David head to a local casino where Strom is attempting to steal $2 million dollars to pay his creditors due to Nick constantly disrupting his business. During a search, Strom’s right-hand woman slowly walks towards David. David has his gun pointed at her threatening her to stop or he will shoot. He hesitates and allows himself to be shot and Nick being taken hostage by Strom. David is put on leave from the department due to his cowardice and allowing his partner to be taken. Strom demands the money within twenty-four hours otherwise he will kill Nick. David, feeling guilt and tired of being afraid hunts down Strom’s associates to find where Nick is in time before the police decide to pay up.

Clint Eastwood and Charlie Sheen in “The Rookie.”

I first encountered this movie during a night flipping through channels with my father several years ago. It appeared on one of the major film channels you can get on cable or satellite. The film was already playing, but we decide to check it out. We turned it on and the first scene we see is Eastwood giving a local news interview on a junkyard search and seizure. In typical Eastwood humor, he begins a profanity laced taunt at the criminal he is after. My dad I instantly cracked up and continued to watch the film all the way through. After the movie, we both agreed that it was a fun flick with loads of action and humor. Recently, I shopped at the place where I do all my movie shopping and found The Rookie on DVD for a mere two dollars. I instantly picked it up. I watched it in full for the first time over the weekend and I enjoyed it as much as I did the first time around.

Clint Eastwood’s performance in this movie is a carbon copy of Dirty Harry, not like that’s a bad thing. From the physical gruffness and aggressive tactics to the smart-ass comments, Eastwood doesn’t skip a beat. When Eastwood gets paired up with Sheen, he’s not amused to the fact that he must “babysit” this rookie. He keeps his pursuit of Strom close to his chest, not revealing too much information to his new partner.

Charlie Sheen’s performance was mellow, but I think he nailed the character of David Ackerman, a rookie cop who is getting more than what he bargained for when joining the force. He becomes a burden to Eastwood due to his inexperience and the fact that Eastwood must bail him out on several occasions. Besides the things I mentioned about Ackerman in the beginning of the review, he also must deal with his girlfriend (played by Lara Flynn Boyle) who is finishing law school. He feels his job is beneath to what she will become. He does gain Eastwood’s admiration in the film when he helps him fix his motorcycle. You will see in a couple scenes how good Sheen is at fixing things. This is in part to Ackerman’s degrees in Engineering and Economics as mentioned during the party scene. Other than that, he struggles to build Eastwood’s trust in him. The botched arrest of Strom along with the kidnapping of Eastwood becomes Sheen’s turning point. When he faces his fears and stops blaming himself for the tragic events of his childhood, he learns from his subordinate and does what he can to find his partner even going as far as breaking up his dad’s meeting to confront him.

The last great performance goes to Raul Julia playing Strom. He is cunning at first when things go as planned. As the movie progresses and Eastwood thwarts his criminal business, Strom becomes angry and determined.  When he kidnaps Eastwood, he gains leverage over the cops and devises a way to get his money and take out his enemy at the same time. The only gripe I have about Julia’s character is that he is supposed to be German. Raul Julia is Puerto Rican. It would’ve made more sense to change the character of Strom to a different nationality, but that shouldn’t take away from his performance.

Clint Eastwood, Sonia Barga and Raul Julia in “The Rookie.”

A Buddy Cop film wouldn’t be complete without loads of action. There’s not a lot of shootouts in this film, but there are quite a few chase sequences. There’s one shortly after the beginning of the film, a chase scene involving Sheen and a motorcycle and a chase scene at the climax. The film does a good job of changing the chases so that they’re not repetitive as in car chase after car chase after car chase. All these chases were performed by stuntmen at the physical shooting locations. The explosion effects were also done on location without the use of any blue or green screens brining a sense of authenticity. One scene was done in one take due to the fact they did not have the means to keep doing take after take. It’s incredible what these stuntmen put themselves through to create an entertaining picture. They are the real heroes in the movie industry.

The film does have its flaws. The film doesn’t divulge into Sheen and Boyle’s relationship. She appears in only a handful of shots and one important scene of the film. The same goes with Sheen’s parents. While you know he comes from luxury, you really don’t know much about his dad’s business. One of the more controversial moments in the film is when Strom’s right-hand woman is toying with a tied-up Eastwood. As she speaks to him and slashes his forehead with a razor, she turns on a video camera and begins to rape him. Was it something she did with all her male victims? Did she see something in Eastwood she found attractive such as his boldness or the fact when she gave him a drink of water, he proceeded to spit it at her face? I didn’t think it was necessary especially since you didn’t know anything about her other than she’s a trusted accomplice.

The movie’s run time is two hours on the dot, but it doesn’t feel like a two-hour movie. It’s fast paced with a lot of things happening on screen. You get immersed with what is going on in each scene that time doesn’t exist.

Clint Eastwood and Charlie Sheen in “The Rookie.”

Overall The Rookie is a good Buddy Cop flick. It may not stand out like the Lethal Weapon movies, but it is better than most of the recent movies of this genre that have been released. The pairing of Clint Eastwood and Charlie Sheen is still baffling, but it works in this concept if these two could work great together in a Buddy Cop film, who knows what the next great pairing will be? I could see Tom Hardy and Michael Cera in a Buddy Cop flick…….or maybe not.

TRIVIA (Per IMDB)

  • According to the book “Clint Eastwood A Cultural Production” by Paul Smith, during the early stages of principal photography, actor Charlie Sheen had substance abuse problems. Eastwood reportedly took on a father-figure role in disciplining Sheen into responsible behavior.
  • The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.
  • Clint Eastwood agreed to do this movie in exchange for Warner Brothers letting him make his personal film project, White Hunter Black Heart (1990).
  • The movie was to be directed by Craig R. Baxley starring Matthew Modine and Gene Hackman in 1988 but the production was stopped by the Screen Actors Guild strike
  • The make and model of the car that Clint Eastwood took a disliking to its color was a lime green Type 85 Lotus Esprit SE. The Lotus Esprit was the car that had become famous for appearing in the James Bond movie The Spy Who Loved Me (1977) and later used again in For Your Eyes Only (1981). In the movie, Eastwood gets to drive the famous James Bond car.
  • According to the article ‘Slam, Bang, Crash, Boom for The Rookie” published in American Cinematographer in January 1991, the movie’s stunt scenes were mostly shot at night with no use of blue screens and with no use of miniatures.

AUDIO CLIPS

Chasing G Rides
I Was Talking About The Babe
No Mistaking This German Beer
Defacing This Car
Watch Your Ass
All Of You Driving Without Auto Insurance Are Under Arrest
Your Wife
Need A Babysitter
Singing To Me Like A Canary
I Didn’t Lie
Bug Up Your Ass
Static Peep
Warm All Over
Let’s Get Hot
Cop Trope
I Was Starting To Enjoy That
Told You To Fasten Your Seat Belt

Prison

Official Poster

Release Date: December 8, 1987 (UK)

Genre: Horror, Crime, Drama

Director: Renny Harlin    

Writers: Irwin Yablans (Story), C. Courtney Joyner (Screenplay)

Starring: Viggo Mortensen, Lane Smith, Chelsea Field, Lincoln Kirkpatrick, Tom Everett

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Well readers, we’ve reached the final review in Guilty Pleasure Cinema’s Horror Movie Month special. Hope you enjoyed reading them up to this point. If you’ve been keeping up with each review this week, you may have realized that I picked a movie based on a genre of Horror Movies. You may have also noticed that all these movies came out in the 80s. For the final film, I decided to go with the old-fashioned ghost story and yes it was released in the 80s. It was a limited release movie and the directing debut of Renny Harlin, the man who would go on to make blockbuster action movies such as Die Hard 2 and Cliffhanger as well as the third highest grossing Nightmare on Elm Street movie in the franchise in Nightmare on Elm Street 4: The Dream Master. It was this film that got Harlin hired to do Nightmare 4. Buckle up because the last film in our special is 1988’s Prison!

The plot is simple and straight to the point. Due to a suspension of funding for a new state of the art prison in Wyoming, the Board of Prisons is left no choice but to re-open the Creedmore Prison, a prison that was shut down twenty years ago. The prison will be run by Ethan Sharpe (Lane Smith), who knows the prison well as he was a corrections officer when it was open. Inmates from all over the state are transferred to this prison and are used as workers to restore the prison to full working capacity.  Two inmates Burke (Viggo Mortensen) and Sandos (Andre DeShields) are assigned to break open the Execution Chamber that has been sealed off. As they break through with pickaxes a flash of blue light appears and starts to suck Burke in. Suddenly, there’s flashes of electricity, glass breaking and boilers flaming. The inmates have released a spirit believed to have been the last person executed at the prison and looks to seek his revenge on not only the prison but the man who helped send him to the electric chair, Sharpe.

I heard of this film during Renny Harlin’s interview in the Nightmare on Elm Street documentary Never Sleep Again. He talked about this film as his first film and that he used household effects and tricks to make the movie look good. The movie was a limited theatrical release in the United States and the United Kingdom. Its total gross was a little over $300,000 on a reported budget of $1.5 million. It was released on VHS in 1988. The movie was never released on DVD or Blu Ray until 2013 when Shout Factory acquired the distribution rights and made it available. I purchased the movie last December.

Opening scene in Prison.

My first reaction when watching this movie was mixed. I thought it felt shallow and bare feeling that there needed to be a lot more meat to the bones. While researching movies to review for this special, I saw Prison in my library of movies and decided to give it another chance to see if this was something worth reviewing. I watched it again and enjoyed it for its atmosphere, use of special effects and creative death scenes. I watched it a third time and I convinced myself that this is a great movie for this special. There’s a certain quality to this movie that I feel has not been replicated when it comes to making a supernatural film.

The mood is everything in Prison. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. If you’ve watched any of Renny Harlin’s movies he really loves mood when it comes to people and the situations they get themselves involved in.

Lane Smith is billed as the lead in this movie as he is the veteran and recognized actor at the time (Vigo Mortensen was not well known). His performance of Sharpe is a troupe of wardens in movies.  He is a hard nose, bug eyed, short tempered warden who is haunted by memories of the executed prisoner who spirit is alive and wreaking havoc on him. It takes a toll on him and his ability to manage the prison and keep things under his control. His paranoia deepens to where he starts to behave irrationally and barks orders that even draw concern looks on the guard captains. Smith has played various characters with strong authority throughout his career and this is no exception.

Vigo Mortensen plays the prisoner who is followed throughout the movie, Burke. Not much is known about Burke only that he is famous for stealing cars and is seen as a sort of “celebrity” within the prison. Mortensen plays Burke as a quiet inmate who keeps to himself in the beginning. He befriends two inmates, his cell mate Cresus (Lincoln Kirkpatrick) and Lasagna (Ivan Kane). During the movie, he becomes a hero when he saves the life of an inmate in solitary confinement from burning alive from the evil spirit when the cowardly guards refused to do so. He is the polar opposite of Sharpe. It’s the perfect role reversal of the criminal being the hero and the law enforcement officer being the villain.

Viggo Mortensen and Ivan Kane in Prison.

The other lead in the movie is Chelsea Field who plays Katherine Walker who works internally at the Bureau of Prisons and is overseeing the re-opening. She doesn’t like the fact that the board put Sharpe in charge of the prison referring to him as an “Old Dinosaur.”  While she has attempted to work with Sharpe, she quickly realizes that she is being shut down by him at every turn especially when the prisoner body count starts to accumulate. She takes it upon herself to find out everything she can about the prisons history and Sharpe’s role in it. Field pops up in the movie from time to time, but I think gives a decent performance.

I love physical special effects and there is plenty of that in Prison. The lightning looks homemade, but authentic and the death scenes are innovative and make great use of the surroundings the impending victims are in. I could tell that the kill scenes in Nightmare on Elm Street 4 drew inspiration from Prison.  The only death scene I had a gripe on was the smoking prisoner being burned alive. While it was indeed creative and intense, there were a few shots where you could see a dummy head just rotating its head from side to side.

As I do in most of my reviews, I try not to spoil the ending. I will say that the ending has been done before in a couple ghost themed movies I’ve seen, but I feel is satisfying. It brings a sense of closure to the story. Harlin seems to wrap up his movies by bringing closure or a sense of relief that things are over.

Scene from Prison.

Overall, I would check out Prison. It’s a fine horror movie that doesn’t have all the bells and whistles of a blockbuster horror movie. I’ve watched a lot of Renny Harlin’s movies and if you were to ask me to give a list of his five best movies, this would be on the list. His introductory film showcases his talent for vision and atmosphere that would be seen throughout his filmmaking career. Some good, some bad.

That concludes the Guilty Pleasure Cinema Horror Movie Month special. I hope you enjoyed these reviews. It took a lot of time and effort to watch, write and record these pieces, but I have to say that this was fun to do. The big accomplishment I hope to achieve from these is that you go out and watch these movies and see what you think.

Happy Halloween!

TRIVIA (Per IMDB)

  • Most of the inmate extras in the film were portrayed by real-life inmates from a nearby prison to add realism to their performances. The armed guards on the towers were, of course, armed with live ammo at the time. Stephen E. Little (Rhino) was a former Hollywood stuntman, who was still a member of SAG, who happened to be serving time for manslaughter that he committed during a bar-room brawl.
  • The prison where the movie was shot, the former Wyoming State Prison located in Rawlins, Wyoming, has daily tours and much of the set remains intact from when crews filmed there in 1987.
  • The electric chair (which was never used in Wyoming) was built into the actual gas chamber of the Wyoming Prison and the death scenes were filmed there. The original chair, was carefully removed and an electric chair was built in its place. During the shooting, Viggo Mortensen’s convulsions were so violent the arms of the chair were broken and needed to be repaired.
  • Chelsea Field was supposed to do a scene in a bathtub but refused to do it.
  • Viggo Mortensen did the bulk of his own stunts. Moreover, stunt coordinator Kane Hodder gave Mortensen an honorary stuntman’s shirt at the completion of the shooting for this film.
  • The high-altitude sun in Wyoming caused shooting issues in the scene where the prisoners are stripped to their underwear and forced to stand outside all day. Due to technical issues, the scene was shot over and over and the prisoners in the background become sunburned on one side of their bodies only as extras were not provided sunblock.
  • The water that Viggo Mortensen runs through in his underwear was real. That part of the prison had been flooded for years, the temperature in the room was below 50F and the water temperature was 46F. Mortensen’s shivering is real. He insisted on shooting the scenes without a double, and only at being forced to relented for some close-up scenes.
  • Before casting Viggo Mortensen, Thom Matthews auditioned and was being considered for the part of Burke.
  • Lane Smith remained in character as Warden Sharpe throughout the duration of filming.

AUDIO

The Man Is A Dinosaur
Still One Hard Ass
Here It’s Contraband
Friends Call Me Lasagna
Cellmates
Nothing But A Lock
Sharpe Awakes From Nightmare
Bad Spirit
What Did You Use An Atom Bomb?
Got Plenty of Smokes
Won’t Cut You Any Slack With The Parole Board
Give Me Back My Ball
I Don’t Think The Warden Heard You
Angry Warden Acting
Assemble The Inmates
Total Silence

Night of the Creeps

Official Poster

Release Date: August 22, 1986

Genre: Horror, Comedy, Sci-Fi

Director: Fred Dekker

Writer: Fred Dekker

Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

We’re near the home stretch in Guilty Pleasure Cinema’s Horror Movie Month special. I’m reviewing five films in the Horror genre every week until the last week in October. We’re at Movie #4 for this special. This next film is a homage to the goofy science fiction/horror films of the 50s that is set in the 80s. This was the debut film of Fred Dekker, a man who was rejected into USC and UCLA’s film school program and settled as an English major. He would develop screenplays along with his friend and roommate, Shane Black (best known for writing the Lethal Weapon movies, appearing in the first Predator movie and more recently directing 2018’s The Predator movie with Dekker as the screenwriter). After this movie, he would go on to write several episodes of Tales From The Crypt in addition to writing and directing two more movies, one was the cult following The Monster Squad and the utter failure Robocop 3. Today Dekker focuses more on writing than he does actual filmmaking. His debut film is still the best of his three and one that I continue to enjoy on a frequent basis. Tonight’s review is Night of the Creeps!

Night of the Creeps starts out in 1959 when a college fraternity member takes his sweetheart out for a romantic night out sitting in his car looking at the stars. Suddenly, something from the sky crashes down and he goes to investigate it. When he looks closer, a slug jumps out and enters his mouth and he collapses. The film flashes forward to 1985. It is rush week at Corman University. Two outcasts, Chris Romero (Jason Lively) and his friend J.C. Hooper (Steve Marshall) are looking to get into a fraternity in the hopes of meeting girls, particularly one that catches Chris’ eye, Cynthia Cronenberg (Jill Whitlow). They have a sit down with Brad, who is the president of the Beta Epsilon house. He gives them a quest to steal a cadaver from the medical school morgue and dump it in front of a sorority house. They reluctantly agree. As Chris and J.C. sneak into the medical school after hours, they come across a laboratory. Inside they see a frozen corpse. The corpse is that of the man from the introductory scene.  They decided that he would be the body they would deposit to the sorority house. Little do they realize the body is still alive and the boys run off in terror. Meanwhile the body attacks one of the med students and heads to one of the sorority houses only for his head to explode and slugs shriveling their way out of the body. The investigation is led by Detective Ray Cameron (Tom Atkins), a long-time cop who is burnt out. When he interviews Chris and J.C., they admit to the prank and the case is closed. Little do they all realize that the college is in danger as one by one people are turning into zombies thanks to the parasitic slugs that possess them. Now it’s up to the three of them to stop the epidemic before it gets worse.

Steve Marshall and Jason Lively in “Night of the Creeps.”

I can’t remember the first time I viewed this movie, but I enjoyed it on so many levels. It had the look and feel of both a 50s Science Fiction movie and an 80s Horror Movie which was Fred Dekker’s intention. While the concept is nothing original as it takes from Invasion of the Body Snatchers, it is still refreshing to see a take on how the zombies were created. This movie was released in 1986 so prior to that you had Day of the Dead and Return of the Living Dead which had similar concepts. I like the fact that it is a parasite that turns the living into the dead.

The performances are decent. Jason Lively plays Chris as a shy, low self-esteemed kid who can’t seem to find his place in the college world. Steve Marshall plays J.C. as a wiseass, always cracking jokes at the most inappropriate times. Despite that, he is very concerned over his friend and does his best to get him out of his comfort zone and build up some confidence. The real star of this movie is Tom Atkins. Atkins is no stranger to horror films given his performances in The Fog, Creepshow and his most memorable role as the protagonist in Halloween III. Atkins plays Detective Ray Cameron as a drunk, don’t give a shit attitude police officer. He gave us a new phrase to say when answering the telephone. Instead of saying “Hello” when the phone rings, he says, “Thrill Me!” This would become the iconic line of the movie. In addition to his indifferent personality, he is traumatized by the events that happened in 1959. His girlfriend at the time was killed by an escape mental patient during his second week on the force. He comes close to taking his own life but realizes that to find a sense of closure, he needs to help stop the zombie outbreak. I’ve referred to Tom Atkins as “The Pimp of Horror Movies” because he always seems to be getting in bed with a woman he just met. That’s not the case in this movie, but it still doesn’t diminish his title. He has called Night of the Creeps his favorite film that he has done, and I echo that sentiment.

Tom Atkins in “Night of the Creeps.”

The only performance I didn’t care for was Jill Whitlow as Cynthia.  With her soft voice, she is completely wooden with her delivery. There are also times during the movie where she looks like she is in a complete fog or has that look that she is thinking of something else rather than concentration on the situation that she was in. I think she needed to put a lot more life into her.

The effects are cheap and dated by today’s standards, but again I think that was Fred Dekker’s intention. There is an ample amount of gore that is ramped up at the very end during the big battle. I do have to give props to the makeup department for giving each zombie a bit of variety and some personality. The slugs were long and beefy, and they slithered quickly going into basements and hiding in bushes as they prepare to infect their next victim. The music is pure 80s synth that weaves in and out of the frames that it is featured in.

Scene from “Night of the Creeps.”

Out of the three movies Fred Dekker has done, this is my absolute favorite. This is one that I have on rotation during the Halloween season. I enjoy it for that it doesn’t take itself too seriously and it has enough scares, violence, gore and humor to keep your attention. It’s a great movie that has truly earned its cult status.

Next week ladies and gentlemen is the final review in the Horror Movie Month Special. Stay tuned, you don’t want to miss it!

TRIVIA (Per IMDB)

  • All the last names of the main characters are based on famous horror and sci-fi directors: George A. Romero (Chris Romero), John Carpenter and Tobe Hooper (James Carpenter Hooper), David Cronenberg (Cynthia Cronenberg), James Cameron (Det. Ray Cameron), John Landis (Det. Landis), Sam Raimi (Sgt. Raimi) and Steve Miner (Mr. Miner – The Janitor).
  • Graffiti on the wall of the men’s room where J.C. is trying to escape a number of slugs reads, “Go Monster Squad!” The Monster Squad (1987) was also directed by Fred Dekker.
  • Tom Atkins’s favorite movie of his own.
  • “Corman University” is a reference to director/producer Roger Corman.
  • The tool shed sequence was filmed after principal shooting on the movie had wrapped. After a rough cut was shown to a test audience, several people thought that the picture needed more action so this sequence was added to the movie.
  • Fred Dekker’s roommate, Shane Black, worked on the script. The next year, Tom Atkins starred in Lethal Weapon (1987), Black’s first produced screenplay.

AUDIO CLIPS

We’re Dorks
Funny As A Crutch
How About Money?
Oh My God
Walt Disney
Corpsicle
Come And Get Me You Dirty Copper
Thrill Me
What Is This A Homicide Or A Bad B Movie?
That Was Not Too Cool
It’s All Greek To Me
Spanky And Alfalfa
Screaming Like Banshees
Chuckle Heads
Where The Hell Are My Backups?
Do Something Dammit
It’s Miller Time

The Stuff

Official Poster

Release Date: June 14, 1985

Genre: Comedy, Horror, Sci-Fi  

Director: Larry Cohen  

Writer: Larry Cohen

Starring: Michael Moriarty, Andrea Marcovicci, Garrett Morris, Paul Sorvino, Scott Bloom

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Welcome to the second week of Horror Movie Month on “Guilty Pleasure Cinema!” For this week I wanted to review a film from one of my all-time favorite filmmakers. Larry Cohen was a pioneer and maverick in the film industry. He made all his movies his way and didn’t let anyone stand in his way. He was known for shooting movies on location without permits. Cohen’s films contain a diverse range of concepts and narratives that are weaved into storylines with strange creatures and offbeat characters.  This is perhaps the most popular film in Larry Cohen’s filmography. It is a movie that is still fresh and relatable almost thirty-five years since its release. The concept may be goofy, but you will enjoy the ride this movie provides once you push the Play button on your remote control. If you ask most movie fans to name one Larry Cohen movie off the top of their heads, the majority will say this title, The Stuff! So, without further ado, here is the review to the 1985 horror cult classic The Stuff!

The movie starts with a railroad worker noticing a white bubbly substance coming from the snowy ground. He takes a taste of it to see what it is. To his delight it tastes very sweet with the texture of yogurt. Soon the substance is being marketed to consumers as “The Stuff” which becomes a phenomenon. “The Stuff” is marketed as being creamy, filling and with no calories. You can find “The Stuff” at supermarkets, small vendor carts and even a Dairy Queen style drive thru. While people are going crazy over “The Stuff” there are people highly suspicious of this addictive edible food. First there’s a young boy named Jason who wakes up in the middle of the night looking for a snack. He opens the refrigerator door to see a container of “The Stuff” moving. He tries to convince his family that there is something alive within it, but they are dismissive of his claims. Jason gets paranoid that he vandalizes a supermarket by destroying the massive amounts of “The Stuff” that is being sold. The other person who is skeptical of “The Stuff” is a former FBI agent turned industrial saboteur named David “Mo” Rutherford (who tells people that he got the nickname from whenever people gave him money he always wanted mo!). He is hired by numerous corporate executives of the ice cream industry to find out what is in “The Stuff” and destroy it. He befriends the head marketer of “The Stuff” Nicole and they set out to investigate the contents. Mo’s efforts reveal that “The Stuff” is a living parasite that takes over people’s brains and then mutates the host into zombies. Mo encounters Jason and the three of them are determined to destroy “The Stuff” before it consumes more and more people.

The Stuff is my second favorite movie in Larry Cohen’s filmography (Q: The Winged Serpent is first). It took me a long time to find interest in checking it out. When I first saw the cover art, it didn’t appeal to me. Mainly because I wasn’t familiar with Larry Cohen’s work nor was I interested in low budget horror movies. After seeing the movie pop up on several streaming services, I decided to give it a chance and boy did I not regret it. I enjoyed every frame, scene, characters and effects. It made me wish I had seen this movie a lot sooner than I did.

Like most of Cohen’s films, The Stuff is not just a horror movie, but a social commentary. Cohen made this movie at a time in the eighties where people consumed everything. The eighties was the birth of many electronics such as video game consoles, Walkman’s, VCRs, etc. It wasn’t just electronics people were craving, it was the current fashion trends, fast food restaurants popping up at every street corner. With these new products came heavy advertising and marketing. This was during Reaganomics where the American economy was booming, and people were spending their hard-earned money of anything they can get their hands on. Cohen based The Stuff off the yogurt craze going on at the time. People were obsessed with yogurt because it was advertised as being healthy, filling and tasty. Add heavy advertising to that and you have people become hooked on it turning them into consumer zombies. They consume and consume while the companies that make it rake in the profits.

Michael Moriarty once again returns in a Larry Cohen picture. He follows up his astounding performance in Q: The Winged Serpent with another memorable performance. I loved his portrayal of Mo Rutherford. He has the smarts of a detective and the tongue of a salesman. He’s smooth talking, confident and keeps his eye on the ball. What starts as a simple job to expose “The Stuff” to his employers turns into a national crisis that he must find a way to put an end. The rest of the cast is convincing in their roles. Andrea Marcovicci plays Nicole, the attractive and smart marketer of “The Stuff” who joins Mo in his investigation and become lovers. Garrett Morris plays ‘Chocolate Chip’ Charlie W. Hobbs, the junk food magnet that Mo befriends while visiting a town that has been desolated by relocation of jobs and the great Paul Sorvino as Colonel Malcolm Grommett Spears who leads the operation into destroying “The Stuff” and warning the public about the dangers of consuming it.

The movie is a pure 80s movie in terms of look, music, effects and overall style. You have the bright neon lights of “The Stuff” logo along with its catchy music and commercials. There’s even an appearance from the old lady in the Wendy’s commercials where instead of screaming, “Where’s the beef?” she cries, “Where’s the Stuff?” The effects of The Stuff creature vary throughout the film. In some parts of the film, it looks like a mix between frozen yogurt and marshmallow. In scenes where it bursts through walls, it milky and watery. Cohen does a great job showing that the creature doesn’t take on a basic form, rather it can come in multiple forms and textures.

The Stuff is a rare find. It should’ve been a much more mainstream film considering the subject matter. This is a movie that still holds up after all this time. You can relate this movie to everything that is going on in our world today as consumerism and Capitalism hasn’t slowed down. It’s an iconic B-Movie that stacks right up there with many of the underrated greats. This is the most recognizable film of Larry Cohen’s work and the one movie that people associate Cohen with.

TRIVIA (Per IMDB)

  • According to audio commentary on the 2000 Anchor Bay DVD, the scene in the motel where the Stuff comes out of the mattress and pillows and attacks the man on the wall and ceiling was shot in a room that could turn upside down, allowing the Stuff to move up and down the wall. It was exactly the same room used in A Nightmare on Elm Street (1984) when Johnny Depp’s character Glen is sucked into his bed and his blood is regurgitated back out onto the ceiling.
  • According to Larry Cohen himself, in some scenes in which the Stuff chases characters, a foam made of blended fish bones was used. It stank so much that, as soon as the shots were done, the actors ran to a river in order to bathe and get rid of the stench.
  • Garrett Morris was asked about this film when he participated in AV Club’s “Random Roles” interview series. He said the production was “crazy,” and when the interviewer noted Larry Cohen’s history as “a character,” and asked Morris what he was like, Morris said that “I was taught growing up that if you don’t have something nice to say about someone, don’t say anything at all,” with no further comment about Cohen
  • Arsenio Hall was considered for the role of “Chocolate Chip” Charlie W. Hobbs.
  • David ‘Mo’ Rutherford tells ‘Chocolate Chip’ Charlie W. Hobbs to contact agent Frank Herbert from the FBI. Frank Herbert was an American science fiction writer best known for the novel Dune and its five sequels.
  • Michael Moriarty (David ‘Mo’ Rutherford) and Paul Sorvino (Colonel Malcolm Grommett Spears) went on to appear in 31 episodes of Law & Order (1990) together from 1991 to 1992 as Executive A.D.A. Ben Stone and Sergeant Phil Cerreta, respectively.
  • The original cut of the film was said to be much longer and described by Director Larry Cohen as more “dense and sophisticated”. Feeling that the film was too long, it was cut to increase the pace of the film. There was a romantic scene between Moriarty and Marcovicci that took place in a hotel room in the original cut.

AUDIO CLIPS

Tasty and Sweet
Enough Is Never Enough
Sweaty Palm
Mo Rutherford
No, Don’t Eat It
Can’t Wait In Line
The Stuff Commercial #1
You Feed The Dog
Chocolate Chip Charlie
Low Tech Solutions
I Could Always Kill You
They’re Good For Us
I Just Ate Shaving Cream
The Stuff Commercial #2
Pillow Tried To Kill Us
They’re All Stuffies
You’ll Probably Be A Casualty
We’ve Never Lost A War
Get That Shit Off My Station

Friday the 13th Part VI: Jason Lives

Official Poster

Release Date: August 1, 1986

Genre: Horror, Thriller   

Director: Tom McLoughlin

Writer: Tom McLoughlin

Starring: Thom Matthews, Jennifer Cooke, David Kagen, C.J. Graham

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

Welcome to Horror Movie Month on “Guilty Pleasure Cinema!” To celebrate the month of October which is of course Halloween season, I will be posting a review each week of a horror film that is one you can watch repeatedly till your heart’s content. I figured I start this special with a familiar movie franchise involving a hockey mask wearing murderer. Of course, I’m talking about Jason Voorhees and the Friday the 13th film series.

 The legacy of Friday the 13th spans eleven films (twelve if you count Freddy vs. Jason), a TV series (by name only), merchandise and a successful online video game until a recent lawsuit pulled the plug on any new content. Jason Voorhees has become an iconic horror figure. If you were to place a Mount Rushmore of Horror Movie icons, he would definitely fill a spot there. While the movies may be repetitive with the same concept of teenagers getting killed at a camping ground by first a woman getting revenge for her son drowning then the son actually being alive to the son be risen from the dead, they are fun to watch in part to the original and innovative kill scenes each movie has to offer. Not only that, but the movie managers to show different renditions of Jason. It’s fun to debate with fans on which was the best Jason of the movie series. Another fun debate is which movie was the best movie in the series. There are quite a few movies in the franchise I adore, but for this review there was one that stood out after analyzing it much deeper, which is the sixth movie, subtitled Jason Lives.

‘Jason Lives’ marks the debut of the undead Jason concept that would be a staple for the rest of the films here on out. The film opens immediately with Tommy Jarvis, the hero of the last two installments driving with a friend to Jason’s gravesite. Tommy, plagued by nightmares that he could return wants to make sure he stays dead. When they get to the gravesite Tommy and his friend start digging and open up Jason’s casket to reveal his maggot infested corpse covered in spider webs.  Tommy rips a metal bar from the gate and repeatedly drives it into Jason. Suddenly, a storm arrives and lightning strikes the rod still stuck inside Jason, which causes him to be resurrected. As soon as Jason gets out from his grave, he kills Tommy’s friend and Tommy flees. Tommy heads to the police station to warn about Jason’s return, but the Sherriff is not convinced and puts Tommy in a holding cell. Meanwhile, Jason begins his murdering spree once again as he tracks down counselors at Camp Forest Green (the town was renamed from Crystal Lake to Forest Green in order to erase the horrible history of Jason and his mother……like people are going to forget).  With the help of the sheriff’s daughter Megan, Tommy realizes that he is the one responsible for bringing Jason back to life and he is responsible to end the nightmare once and for all.

C.J. Graham puts on the hockey mask in “Jason Lives.”

Tom McLoughlin, writer and director of this film did a great job reviving the Friday the 13th franchise after the dismal performance of Part V : A New Beginning (for many reasons). What better way to revive the franchise than revive the killer of the series (with the exception of the first movie) Jason. Instead of stating to the audience that he is still human, he states that Jason died in The Final Chapter and we’re going to bring him back to life as a real monster. His revival was clever and reasonable. The look of Jason is different for obvious reasons, but he still hangs on to his trademark hockey mask. He provides a plethora of kills ranging from his weapon based kills such as a spear, a harpoon gun and his traditional machete to more physical and creative deaths such as slamming a girl’s face through a wall in the bathroom of an RV to folding up a victim like a lawn chair. Fans won’t be disappointed with the kills this movie has.

The acting is decent with Thom Matthews leading as Tommy Jarvis. If you’re not familiar with Matthews, you may remember him from another iconic cult horror film in the 80s which was The Return of the Living Dead. He played a bumbling employee where he and his boss accidentally release the chemical that brings dead people back to life and eventually turns the both of them into zombies. It was a great comedic performance, however as Tommy Jarvis he is the complete opposite of comedic. He plays Tommy as a man who is constantly tortured by his memories of his encounter with Jason and being the one that ended his existence. When he tries to destroy Jason’s body to make sure he never comes back, a cruel twist of fate happens when he drives that gate bar into him causing it to be a lightning rod when the storm comes. As soon as Jason arises, Tommy is in full panic. He does his best to warn people, but they don’t believe him considering his history and state of mind. It’s only until learning the error of what he did is when he owns up to the mistake and realizes that he brought Jason back into the real world and he is the only one that can send him back to the grave. Matthews’ version of Tommy is definitely the best performance in comparison to John Shephard’s performance in Part V, although I still think Corey Feldman’s portrayal in The Final Chapter is my favorite.

Ron Palillo and Thom Matthews in “Friday the 13th Part VI: Jason Lives.”

The role of Jason would be portrayed by C.J. Graham, which would be his only movie role (with the exception of his appearance as Jason in the Alice Cooper music video for the main song, which I’ll get to later).  From the first kill of punching through a man’s chest to killing a group of paintballers, he portrays Jason as a slow pacing juggernaut who dispatches anyone that stands in his way. On top of that Graham performs all the stunts as Jason in the movie which go to his dedication despite the fact that he was neither an actor nor a stuntman. He also provides a shocking personality to Jason. There is a scene where Jason appears inside a cabin full of young female campers. One of them gets scared, closes her eyes and covers her face with a blanket praying he doesn’t kill her. Jason stands at the side of the bed looking at her with a curious look and doesn’t flinch or give any indication he is going to kill the little girl. It shows a bit of vulnerability and the impression that Jason will not kill someone who is pure or innocent.

The rest of the cast is fodder for Jason. You have you stereotypical counselors and local law enforcement who happen to be in the wrong place at the wrong time. There’s a few great scenes with the caretaker of the cemetery and an angry person who was hit with a paintball which provide some comic relief.

This is one of the more stylistic movies in the series. It has a great blend of darkness, comedy and music. Speaking of music, for the first time in the series, Part VI has a soundtrack which features songs from some notable rock artists including a brand new song specifically for the movie by none other than Alice Cooper. The song “He’s Back (The Man Behind The Mask)” has become the official theme song to Jason. It’s a true 80s song with a great blend of synths along with Cooper’s commanding vocals. The music video features C.J. Graham as Jason as he breaks through the movie screen while spectators are watching Part VI.

Michael Swan confronting Jason.

Friday the 13th Part VI: Jason Lives is one of the strongest if not the strongest film in the series and has held up nicely unlike some of the other movies. If you believe there is a better entry in the series than Part VI, I challenge you to prove me wrong!

TRIVIA (Per IMDB)

  • After becoming a born again Christian, John Shepherd who starred as Tommy in Friday the 13th: A New Beginning (1985) did not want to reprise the role, and it went to Thom Matthews instead.
  • Director Tom McLoughlin took home some props from the film, including Jason’s tombstone – which sits outside his house, made to look like Jason is buried in his yard – and his casket, which sits in his garage. The DVD box set includes a scene in which he shows off these props at his home, and tells of how a city employee refused to enter his yard to read the meter because he thought a body was really buried there.
  • The film contains numerous references to other horror films and/or people connected with them. Megan mentions Cunningham Road, a reference to Sean S. Cunningham director of Friday the 13th (1980) and creator of the series, while Tommy mentions a grocery store called Karloff’s, an homage to famous horror actor, Boris Karloff , director John Carpenter of Halloween (1978), while the name Sissy is perhaps a reference to Sissy Spacek who starred in Brian DePalma’s Carrie  (1976), which is based on a novel by Stephen King. Also, Sissy wears a jacket with the name “Baker” on the back, possibly a reference to Angela Baker from Sleepaway Camp (1983).
  • The first film in the series to be recorded in Ultra Stereo.
  • The original actor to play Jason was fired for being too fat. They recast the part with C.J. Graham, a restaurant manager with no stunt experience but a military background as an Army soldier. That made him perfect to take orders and execute stunts with military precision. Bradley’s paintball scenes were not re-shot meaning he does play Jason for a very brief part of the film, after that point it’s C.J. Graham as the masked killer.
  • Ted White stated in interviews that he was offered the opportunity to return to the role of Jason Voorhees, whom he portrayed in Friday the 13th: The Final Chapter (1984) but he turned the role down. White stated that in hindsight, he should have accepted the offer.
  • This is the first film in the series in which all teenage roles are played by young adults, none of the actors being teenagers in real life during production.
  • The final scene to be shot was the crashing of the RV. Director Tom McLoughlin was terrified during filming, as there could only be one take and the crashing made the scene incredibly dangerous for C.J. Graham.

AUDIO CLIPS

Don’t Piss Me Off, Junior
You’re Going To Be Sorry
We Better Turn Around
Prisoner of Love
Angry Paintballer
Help Me
Wherever The Red Dot Goes
Does He Think I’m A Farthead?
Exciting As It Gets
With All The Grief You’ve Given Me
Game Called Camp Blood
Where’s Cort?
What Are You Doing Back There?
Very Sick Boy
Happy Friday The 13th
Don’t Clown Around
I Think We’re Dead Meat
Maggot Head

Leviathan

Official Poster

Release Date: March 17, 1989

Genre: Horror, Adventure, Mystery  

Director: George P. Cosmatos

Writers: David Webb Peoples (Story/Screenplay), Jeb Stuart (Screenplay)

Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Hector Elizondo, Meg Foster

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

1989 was a big year for underwater themed Science Fiction movies. First, you had the highly anticipated The Abyss, namely because it’s a James Cameron movie and the special effects were the most innovative and advanced through Industrial Light & Magic. The second film that premiered in 1989 was the obscure cult classic Deep Star Six, which was directed by famed Friday the 13th director Sean S. Cunningham. Finally, you had Leviathan, directed by George P. Cosmatos who was known at the time for directing not one but two Sylvester Stallone movies, First Blood Part II and Cobra. All three movies did were not financially successful at the box office. The Abyss made $90 million but it had a budget of over $50 million. While it made a teeny profit, it was considered by many in the film industry as underwhelming considering the magnitude of the movie. Deep Star Six sank as fast as the Titanic. Leviathan debut at #2, but quickly drowned the following week. Out of these films, I chose Leviathan as the next review in “Guilty Pleasure Cinema” because it’s indeed a guilty pleasure film for me. It ranks in my Top 10 Guiltiest Pleasure Movies of all time, which I’ll reveal at a future date.

The fist time I watched Leviathan, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again, I forgot everything I watched the first time around. When the second viewing was finished, I thoroughly enjoyed it. Even though it’s a blatant rip-off of Alien, The Thing and The Abyss. it was entertaining. I loved it so much I began playing it several more times. Before I go into more detail as to why Leviathan is a guilty pleasure film, I’ll brief you on the plot.

Ernie Hudson in “Leviathan.”

Leviathan is the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver on the Atlantic Ocean floor. The team consists of eight members: Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Wilie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). Their team is led by Geologist Steven Beck (Peter Weller) who reports to Tri-Oceanic CEO Martin (Meg Foster). During a mining operation involving Sixpack and Willie (whom are working as punishment for an altercation between the two), Sixpack falls off a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan.’ She enters through the blown hole of the ship and finds Sixpack along with some treasure. As the crew looks through the contents of what Sixpack found, Doc uncovers a videotape containing a message from the Captain of ‘Leviathan.’ Beck and Doc aren’t sure what the Captain is referring to. The rest of the crew prepares to take a shot of vodka from a bottle they found in the refuge only to discover after tasting it that Beck switched the bottles out and were drinking water. Unbeknownst to the crew, Sixpack hid a flask containing the vodka in his pocket and shares a drink with Bowman. Few hours later, Sixpack starts to feel sick with chills and forming flaky skin on his neck. He succumbs to his illness several hours later which triggers Doc to perform tests on every one of the crew members. When Bowman sees Sixpack slowly mutating into an unknown creature, she decides to take her own life. As the crew tries to dispose of their comrades’ bodies into the ocean, the monster, now fused from Sixpack and Bowman emerges from the body bag and attacks. The crew manages to sink the creature except for its leg which gets severed off during the closing of the hatch. The severed part mutates into a whole new creature and continues the rampage of attacking the crew and grow by consuming blood. The crew declare an emergency, but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.

I’ll start with the cast. Peter Weller is the lead in the film as Beck. He oversees the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he takes, and this role was no exception. His iconic performance in Robocop groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew except for Beck. Crenna is another actor I’ve enjoyed for a long time. The rest of the characters were great each with their own personalities. I loved the spunky and ambitious portrayal of Williams from Amanda Pays, the practical joker Sixpack from Daniel Stern, Ernie Hudson as the somewhat paranoid Jones, Elizondo as the union steward Cobb and Michael Carmine as DeJesus whom all he wants to do is go skiing after his work is over. Sadly this would be Carmine’s last film role as he died in October of the same year due to a heart attack caused by AIDS complications. I think all the performances were good apart from Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in They Live. I don’t know if that’s her style, but I didn’t care for it.

A mutated Daniel Stern and Lisa Eilbacher.

The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in Alien. Wouldn’t surprise me if he were influenced by that film since this film takes several elements from it.  The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.

Speaking of the monster, that was without a doubt the biggest disappointment of the movie. It borrows from the thing in terms of a small piece or particle can form a new life as it is shown during the scene where they crew attempts to dispose the creature in its first stage. When the monster gets bigger as it consumes the crew, you don’t see much of it with the exception of some flashes which is a call back to the old sci-fi horror concept of not revealing too much of the monster. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either encounter or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the Hellraiser movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in Jurassic Park and the Alien Queen in Aliens. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.

Hector Elizondo in “Leviathan.”

Out of the three movies I mentioned in 1989, I would put Leviathan second behind The Abyss. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes.  Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching repeatedly. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining. 

TRIVIA (PER IMDB)

  • In designing the creature of the film, Stan Winston and George P. Cosmatos went through a mini-library of marine life pictures and medical reference books. They were inspired by the physiology of the natural world, and came up with the idea of combining human body parts and elements of deep sea marine life into an unnatural creature never seen on film before.
  • There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look, with most of the scenes inside the Shack taking place on soundstages and a tank measuring 130ft x 270ft.
  • Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.
  • Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.
  • Second time that Richard Crenna worked with George p Cosmatos after Rambo First Blood Part II, which also had Jerry Goldsmith music.
  • Once, during the underwater photography, John Rosengrant and other members of the SWS on-set crew were underwater for so long and at such depth, that they were unaware of a violent storm that had come in, threatening to rip the topside boat from its anchor and smash it against nearby rocks. “We had no idea all of this was going on, until we came to the surface and saw all this commotion,” recalled Rosengrant. “We all go out of the water and helped to push the boat away from the rocks and hold it steady in this storm.”
  • When Doc is analyzing Sixpack’s skin sample, the computer reports back the phrase “of unknown origin”. This is a winking nod to director George P. Cosmatos and star Peter Weller having previously collaborated on the movie Of Unknown Origin (1983).

AUDIO CLIPS

Go Suck On A Shrimp
Implosion
Keep It To Nine Holes
What A Pair
Skiing
Pipe Down
Blow This
Leviathan
Several Languages
Pop Your Tops
Water
Only Skin Problem I See
You Think They Already Know?
You Don’t Know Shit About Skiing
We’ve Got A Goddamned Dracula On Board?
Bitch, We’re Still Here