Leviathan

Official Poster

Release Date: March 17, 1989

Genre: Horror, Adventure, Mystery  

Director: George P. Cosmatos

Writers: David Webb Peoples (Story/Screenplay), Jeb Stuart (Screenplay)

Starring: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Hector Elizondo, Meg Foster

WARNING: POSSIBLE SPOILERS IN THIS REVIEW

1989 was a big year for underwater themed Science Fiction movies. First, you had the highly anticipated The Abyss, namely because it’s a James Cameron movie and the special effects were the most innovative and advanced through Industrial Light & Magic. The second film that premiered in 1989 was the obscure cult classic Deep Star Six, which was directed by famed Friday the 13th director Sean S. Cunningham. Finally, you had Leviathan, directed by George P. Cosmatos who was known at the time for directing not one but two Sylvester Stallone movies, First Blood Part II and Cobra. All three movies did were not financially successful at the box office. The Abyss made $90 million but it had a budget of over $50 million. While it made a teeny profit, it was considered by many in the film industry as underwhelming considering the magnitude of the movie. Deep Star Six sank as fast as the Titanic. Leviathan debut at #2, but quickly drowned the following week. Out of these films, I chose Leviathan as the next review in “Guilty Pleasure Cinema” because it’s indeed a guilty pleasure film for me. It ranks in my Top 10 Guiltiest Pleasure Movies of all time, which I’ll reveal at a future date.

The fist time I watched Leviathan, I reacted in a way most people did when it first came out: mortified (and not in a good way). When I decided to watch this movie again, I forgot everything I watched the first time around. When the second viewing was finished, I thoroughly enjoyed it. Even though it’s a blatant rip-off of Alien, The Thing and The Abyss. it was entertaining. I loved it so much I began playing it several more times. Before I go into more detail as to why Leviathan is a guilty pleasure film, I’ll brief you on the plot.

Ernie Hudson in “Leviathan.”

Leviathan is the story of a group of underwater miners who work for Tri-Oceanic Corp. They’re finishing their last days of a three month operation mining for silver on the Atlantic Ocean floor. The team consists of eight members: Glen ‘Doc’ Thompson (Richard Crenna), Elizabeth ‘Wilie’ Williams (Amanda Pays), Buzz ‘Sixpack’ Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony ‘DeJesus’ Rodero (Michael Carmine), Bridget ‘Bow’ Bowman (Lisa Eilbacher) and G.P. Cobb (Hector Elizondo). Their team is led by Geologist Steven Beck (Peter Weller) who reports to Tri-Oceanic CEO Martin (Meg Foster). During a mining operation involving Sixpack and Willie (whom are working as punishment for an altercation between the two), Sixpack falls off a ravine and goes missing. Willie searches for him and discovers a sunken Russian ship named ‘Leviathan.’ She enters through the blown hole of the ship and finds Sixpack along with some treasure. As the crew looks through the contents of what Sixpack found, Doc uncovers a videotape containing a message from the Captain of ‘Leviathan.’ Beck and Doc aren’t sure what the Captain is referring to. The rest of the crew prepares to take a shot of vodka from a bottle they found in the refuge only to discover after tasting it that Beck switched the bottles out and were drinking water. Unbeknownst to the crew, Sixpack hid a flask containing the vodka in his pocket and shares a drink with Bowman. Few hours later, Sixpack starts to feel sick with chills and forming flaky skin on his neck. He succumbs to his illness several hours later which triggers Doc to perform tests on every one of the crew members. When Bowman sees Sixpack slowly mutating into an unknown creature, she decides to take her own life. As the crew tries to dispose of their comrades’ bodies into the ocean, the monster, now fused from Sixpack and Bowman emerges from the body bag and attacks. The crew manages to sink the creature except for its leg which gets severed off during the closing of the hatch. The severed part mutates into a whole new creature and continues the rampage of attacking the crew and grow by consuming blood. The crew declare an emergency, but Martin tells them there is a hurricane approaching them and their rescue is delayed by twelve hours. The crew has no choice but to find a way to destroy the monster.

I’ll start with the cast. Peter Weller is the lead in the film as Beck. He oversees the crew and its mission. He is very commanding and by the book when it comes to company rules. In the beginning of the film, he feels out of place and senses he doesn’t have the respect of the crew. You see his leadership and command develop throughout the movie. I love Peter Weller. He is a person who is dedicated in every role he takes, and this role was no exception. His iconic performance in Robocop groomed him for this part. Richard Crenna who plays Doc is a loner and disliked by the entire crew especially in the beginning of the film. They feel he has something to hide and as the film progresses, he does what he can to not reveal what is happening to the crew except for Beck. Crenna is another actor I’ve enjoyed for a long time. The rest of the characters were great each with their own personalities. I loved the spunky and ambitious portrayal of Williams from Amanda Pays, the practical joker Sixpack from Daniel Stern, Ernie Hudson as the somewhat paranoid Jones, Elizondo as the union steward Cobb and Michael Carmine as DeJesus whom all he wants to do is go skiing after his work is over. Sadly this would be Carmine’s last film role as he died in October of the same year due to a heart attack caused by AIDS complications. I think all the performances were good apart from Meg Foster. I know she is supposed to play the disconcerted corporate executive, but she comes off as wooden and monotone. I’ve seen her play this part before in They Live. I don’t know if that’s her style, but I didn’t care for it.

A mutated Daniel Stern and Lisa Eilbacher.

The film is well paced when you compare it to the other two movies I mentioned. None of the scenes drag out too long which keeps your attention focused. There’s plenty of jump scares and tense confrontations between the crew. Legendary composer Jerry Goldsmith provides the music and it sounds eerily familiar to his composition in Alien. Wouldn’t surprise me if he were influenced by that film since this film takes several elements from it.  The special effects were solid. There is a ton of blood, but not too much gore. Any gore that appeared in the movie was either off camera or was in spurts such as in the reveal of the monster in the middle of film or near the end.

Speaking of the monster, that was without a doubt the biggest disappointment of the movie. It borrows from the thing in terms of a small piece or particle can form a new life as it is shown during the scene where they crew attempts to dispose the creature in its first stage. When the monster gets bigger as it consumes the crew, you don’t see much of it with the exception of some flashes which is a call back to the old sci-fi horror concept of not revealing too much of the monster. The concept of the creature is supposed to be a genetic alteration of a sea creature, but fuses with people it has either encounter or has the same genetic mutation in their bodies. One shot you see this gigantic blob with tentacles and faces of the crew members it has merged with. It reminds me of the pillar with all the faces from the Hellraiser movies. And when the monster emerges at the very end, you can see how fake the head is. It was reminiscent of a monster in a Japanese Monster Movie. What boggles my mind is that the creature design and the effects were done by legendary effects man, Stan Winston. This was the guy that created the Terminator, the dinosaurs in Jurassic Park and the Alien Queen in Aliens. What the hell happened here? Did he not have the budget to make something unique and terrifying? Did he run out of ideas? It’s a damn shame. The creature could’ve been something unique and give the film a better lasting impression.

Hector Elizondo in “Leviathan.”

Out of the three movies I mentioned in 1989, I would put Leviathan second behind The Abyss. The problem the movie had as I mentioned in the beginning was that it borrows too much from the other iconic movies I mentioned. It’s not original in terms of concept. I do give it creative points for the source of the disease and the effects that it causes.  Don’t let all that take away from the fact that it is an enjoyable B-Movie and it’s a movie I’ve found myself watching repeatedly. That’s always been the strength of George P. Cosmatos’ films. He doesn’t follow a strict genre. He’s willing to take chances and his movies come about as being fun and entertaining. 

TRIVIA (PER IMDB)

  • In designing the creature of the film, Stan Winston and George P. Cosmatos went through a mini-library of marine life pictures and medical reference books. They were inspired by the physiology of the natural world, and came up with the idea of combining human body parts and elements of deep sea marine life into an unnatural creature never seen on film before.
  • There are very few scenes in the film that were actually shot underwater, as production went for the “dry for wet” look, with most of the scenes inside the Shack taking place on soundstages and a tank measuring 130ft x 270ft.
  • Chicken feathers were used at one point of shooting the underwater sequences to suggest things were floating around in the water. According to Alex Thomson this did not work because the feathers floating side to side instead of up and down and the idea had to be scrapped altogether.
  • Hector Elizondo’s character of Cobb is named after the film’s production designer, Ron Cobb. Also, Michael Carmine’s character of Tony ‘DeJesus’ Rodero, shares the same last name of the film’s first assistant director, ‘Kuki Lopez Rodero’.
  • Second time that Richard Crenna worked with George p Cosmatos after Rambo First Blood Part II, which also had Jerry Goldsmith music.
  • Once, during the underwater photography, John Rosengrant and other members of the SWS on-set crew were underwater for so long and at such depth, that they were unaware of a violent storm that had come in, threatening to rip the topside boat from its anchor and smash it against nearby rocks. “We had no idea all of this was going on, until we came to the surface and saw all this commotion,” recalled Rosengrant. “We all go out of the water and helped to push the boat away from the rocks and hold it steady in this storm.”
  • When Doc is analyzing Sixpack’s skin sample, the computer reports back the phrase “of unknown origin”. This is a winking nod to director George P. Cosmatos and star Peter Weller having previously collaborated on the movie Of Unknown Origin (1983).

AUDIO CLIPS

Go Suck On A Shrimp
Implosion
Keep It To Nine Holes
What A Pair
Skiing
Pipe Down
Blow This
Leviathan
Several Languages
Pop Your Tops
Water
Only Skin Problem I See
You Think They Already Know?
You Don’t Know Shit About Skiing
We’ve Got A Goddamned Dracula On Board?
Bitch, We’re Still Here

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